The TempestD.C. Heath & Company, 1916 - 166 sidor |
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Sida vi
... passage in extant Elizabethan literature taken from Mon- taigne , Elze concludes that the sarcastic reference is to The Tempest , which he accordingly places in the year between the publication of Florio's version and the production of ...
... passage in extant Elizabethan literature taken from Mon- taigne , Elze concludes that the sarcastic reference is to The Tempest , which he accordingly places in the year between the publication of Florio's version and the production of ...
Sida vii
... passages . In the dramatist's central period , from about 1597 to 1606 , thought and expression attain to an exquisite balance , and it is during these years that Shakespeare produces his most perfect work . Afterward , how- his wealth ...
... passages . In the dramatist's central period , from about 1597 to 1606 , thought and expression attain to an exquisite balance , and it is during these years that Shakespeare produces his most perfect work . Afterward , how- his wealth ...
Sida xii
... passages have been used as libretti for songs . Two of the settings , to " Full fathom five , " 1. 2. 396–403 , and " Where the bee sucks , " v . 1. 88-94 , were , there is reason to believe , used in Shakespeare's own time . They are ...
... passages have been used as libretti for songs . Two of the settings , to " Full fathom five , " 1. 2. 396–403 , and " Where the bee sucks , " v . 1. 88-94 , were , there is reason to believe , used in Shakespeare's own time . They are ...
Sida xiii
... passages , if compared with i . 1. 68 ; i . 2. 232 ; v . 1. 230 ; ii . 2. 59 ; ii . 1. 35–5 % , show a similarity that can scarcely be accidental . Even more remarkable are some of the expressions used in Strachey's narrative of the ...
... passages , if compared with i . 1. 68 ; i . 2. 232 ; v . 1. 230 ; ii . 2. 59 ; ii . 1. 35–5 % , show a similarity that can scarcely be accidental . Even more remarkable are some of the expressions used in Strachey's narrative of the ...
Sida xvi
... the deep sea . ' - " " 2 Revue des Deux Mondes , 1865 . 3 See further the passage in Dowden's Shakespeare's Mind and Art , referred to in Appendix B. have no strongly marked individuality and are little more than xvi INTRODUCTION NOTES.
... the deep sea . ' - " " 2 Revue des Deux Mondes , 1865 . 3 See further the passage in Dowden's Shakespeare's Mind and Art , referred to in Appendix B. have no strongly marked individuality and are little more than xvi INTRODUCTION NOTES.
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Abbott Alon Alonso Antonio Antony and Cleopatra Ariel beat Boatswain brave brother Cæsar Caliban camest Ceres charm command Cotgrave daughter devil doth Dowden drowned Duke of Milan dukedom enchanted Enter ARIEL Exeunt eyes father Ferdinand Ff reading fish Folio foot foul fresh give Gonzalo Hark hath hear island isle Julius Cæsar Juno King of Naples lord masque master meaning Midsummer Night's Dream Miranda monster nature never nymphs o'er passage phrase play plot plural pray prince princess Prithee probably Pros Prospero PROSPERO's cell queen quotes Re-enter ARIEL reference roar scene Sebastian sense Setebos Shake Shakespeare ship shore sing sleep speak spirit Stephano storm strange stress suggested sweet Sycorax syllable tell Tempest thee thine thing thou art thou hast thou shalt thought thyself tion Trin Trinculo verb vowel wind Winter's Tale word Wright