The TempestD.C. Heath & Company, 1916 - 166 sidor |
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Sida iii
... suggest points of view from which the analysis of dramatic motive and dramatic character may be profitably undertaken . In the Notes likewise , while it is hoped that all unfamiliar expressions and allusions have been adequately ...
... suggest points of view from which the analysis of dramatic motive and dramatic character may be profitably undertaken . In the Notes likewise , while it is hoped that all unfamiliar expressions and allusions have been adequately ...
Sida ix
... suggest the end of 1610 or the beginning of 1611 as the date of the play . But resemblances still more striking ... suggests . In spite of Ben Jonson's sarcasm , The Tempest was evidently from the first a popular play , and was imitated ...
... suggest the end of 1610 or the beginning of 1611 as the date of the play . But resemblances still more striking ... suggests . In spite of Ben Jonson's sarcasm , The Tempest was evidently from the first a popular play , and was imitated ...
Sida 88
... barren ' in Gonzalo's wish for an acre of barren ground , ' and in calling the furze brown ' an addi- tional hue of desolation is imparted by suggesting that the acre is so barren that even the weeds on it 88 [ ACT ONE THE TEMPEST.
... barren ' in Gonzalo's wish for an acre of barren ground , ' and in calling the furze brown ' an addi- tional hue of desolation is imparted by suggesting that the acre is so barren that even the weeds on it 88 [ ACT ONE THE TEMPEST.
Sida 89
... suggests that instead of being a natural outbreak of elemental fury , it is due to the influence of Prospero's art . 1. your .. you . Throughout this dialogue Miranda in- variably addresses her father in the second person plural of ...
... suggests that instead of being a natural outbreak of elemental fury , it is due to the influence of Prospero's art . 1. your .. you . Throughout this dialogue Miranda in- variably addresses her father in the second person plural of ...
Sida 92
... suggests the words that follow . 85. that , so that . 87. on ' t , of it . 90. closeness , secrecy , retirement . 66 91-92 . By what , except that it involved such retirement , surpassed in value all popular estimation . " 94-95 . This ...
... suggests the words that follow . 85. that , so that . 87. on ' t , of it . 90. closeness , secrecy , retirement . 66 91-92 . By what , except that it involved such retirement , surpassed in value all popular estimation . " 94-95 . This ...
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Abbott Alon Alonso Antonio Antony and Cleopatra Ariel beat Boatswain brave brother Cæsar Caliban camest Ceres charm command Cotgrave daughter devil doth Dowden drowned Duke of Milan dukedom enchanted Enter ARIEL Exeunt eyes father Ferdinand Ff reading fish Folio foot foul fresh give Gonzalo Hark hath hear island isle Julius Cæsar Juno King of Naples lord masque master meaning Midsummer Night's Dream Miranda monster nature never nymphs o'er passage phrase play plot plural pray prince princess Prithee probably Pros Prospero PROSPERO's cell queen quotes Re-enter ARIEL reference roar scene Sebastian sense Setebos Shake Shakespeare ship shore sing sleep speak spirit Stephano storm strange stress suggested sweet Sycorax syllable tell Tempest thee thine thing thou art thou hast thou shalt thought thyself tion Trin Trinculo verb vowel wind Winter's Tale word Wright