LXVIII.

The Sabbath comes, a day of blessed rest;
What hallows it upon this Christian shore?
Lo! it is sacred to a solemn feast;

Hark! heard you not the forest-monarch's roar? Crashing the lance, he snuffs the spouting gore Of man and steed, o'erthrown beneath his horn; The throng'd arena shakes with shouts for more; Yells the mad crowd o'er entrails freshly torn, Nor shrinks the female eye, nor ev'n affects to mourn

LXIX.

The seventh day this; the jubilee of man. London! right well thou know'st the day of prayer: Then thy spruce citizen, wash'd artisan, And smug apprentice gulp their weekly air: Thy coach of hackney, whiskey, one-horse chair, And humblest gig through sundry suburbs whirl; To Hampstead, Brentford, Harrow make repair; Till the tired jade the wheel forgets to hurl, Provoking envious gibe from each pedestrian churl.(1)

beauty of its streets and mansions is only excelled by the liveliness of its inhabitants. It is a complete Cythera, full of the finest women in Spain; the Cadiz belles being the Lancashire witches of their land." Lord B. to his Mother. 1809.-E.]

(1) ["In thus mixing up the light with the solemn, it was the intention of the poet to imitate Ariosto. But it is far easier to rise, with grace, from the level of a strain generally familiar, into an occasional short burst of pathos or splendour, than to interrupt thus a prolonged tone of solemnity by any descent into the ludicrous or burlesque. In the former case, the transition may have the effect of softening or elevating; while, in the latter, it almost invariably shocks; -for the same reason, perhaps, that a trait of pathos or high feeling, in comedy, has a peculiar charm; while the intrusion of comic scenes into tragedy, however sanctioned among us by habit and authority, rarely fails to offend. The poet was himself convinced of the failure of the experiment, and in none of the succeeding cantos of Childe Harold repeated it."- MOORE.]

LXX.

Some o'er thy Thamis row the ribbon'd fair,
Others along the safer turnpike fly;

Some Richmond-hill ascend, some scud to Ware,
And many to the steep of Highgate hie.
Ask ye, Boeotian shades! the reason why? (1)
'Tis to the worship of the solemn Horn,
Grasp'd in the holy hand of Mystery,

[sworn,

In whose dread name both men and maids are And consecrate the oath with draught, and dance till morn. (2)

LXXI.

All have their fooleries-not alike are thine,
Fair Cadiz, rising o'er the dark blue sea!
Soon as the matin bell proclaimeth nine,
Thy saint adorers count the rosary:

Much is the VIRGIN teased to shrive them free (Well do I ween the only virgin there)

From crimes as numerous as her beadsmen be; Then to the crowded circus forth they fare : Young, old, high, low, at once the same diversion share.

(1) This was written at Thebes, and consequently in the best situation for asking and answering such a question; not as the birthplace of Pindar, but as the capital of Boeotia, where the first riddle was propounded and solved.

(2) [Lord Byron alludes to a ridiculous custom which formerly prevailed at the public-houses in Highgate, of administering a burlesque oath to all travellers of the middling rank who stopped there. The party was sworn on a pair of horns, fastened, "never to kiss the maid when he could the mistress; never to eat brown bread when he could get white; never to drink small beer when he could get strong;" with many other injunctions of the like kind, -to all which was added the saving clause,- -"unless you like it best."-E.]

LXXII.

The lists are oped, the spacious area clear'd,
Thousands on thousands piled are seated round;
Long ere the first loud trumpet's note is heard,
Ne vacant space for lated wight is found:
Here dons, grandees, but chiefly dames abound,
Skill'd in the ogle of a roguish eye,

Yet ever well inclined to heal the wound;

None through their cold disdain are doom'd to die, As moon-struck bards complain, by Love's sad archery.

LXXIII.

Hush'd is the din of tongues-on gallant steeds, With milk-white crest, gold spur, and light-pois'd lance

Four cavaliers prepare for venturous deeds,
And lowly bending to the lists advance;
Rich are their scarfs, their chargers featly prance:
If in the dangerous game they shine to-day,
The crowd's loud shout and ladies' lovely glance,
Best prize of better acts, they bear away,

And all that kings or chiefs e'er gain their toils repay.

LXXIV.

In costly sheen and gaudy cloak array'd,
But all afoot, the light-limb'd Matadore
Stands in the centre, eager to invade
The lord of lowing herds; but not before

The ground, with cautious tread, is traversed o'er,
Lest aught unseen should lurk to thwart his speed:
His arms a dart, he fights aloof, nor more
Can man achieve without the friendly steed
Alas! too oft condemn'd for him to bear and bleed.

LXXV.

Thrice sounds the clarion; lo! the signal falls, The den expands, and Expectation mute Gapes round the silent circle's peopled walls. Bounds with one lashing spring the mighty brute, And, wildly staring, spurns, with sounding foot, The sand, nor blindly rushes on his foe: Here, there, he points his threatening front, to suit His first attack, wide waving to and fro His angry tail; red rolls his eye's dilated glow.

LXXVI.

Sudden he stops; his eye is fix'd: away,
Away, thou heedless boy! prepare the spear:
Now is thy time, to perish, or display

The skill that yet may check his mad career. With well-timed croupe the nimble coursers veer; On foams the bull, but not unscathed he goes; Streams from his flank the crimson torrent clear: He flies, he wheels, distracted with his throes; Dart follows dart; lance, lance; loud bellowings speak his woes.

LXXVII.

Again he comes; nor dart nor lance avail,
Nor the wild plunging of the tortured horse;
Though man and man's avenging arms assail,
Vain are his weapons, vainer is his force.
One gallant steed is stretch'd a mangled corse;
Another, hideous sight! unseam'd appears,

His

gory chest unveils life's panting source; Though death-struck,still his feeble frame he rears; Staggering, but stemming all, his lord unharm'd he bears.

LXXVIII.

Foil'd, bleeding, breathless, furious to the last,
Full in the centre stands the bull at bay,

Mid wounds, and clinging darts, and lances brast,
And foes disabled in the brutal fray:

And now the Matadores around him play,

Shake the red cloak, and poise the ready brand: Once more through all he bursts his thundering

way

Vain rage! the mantle quits the conynge hand, Wraps his fierce eye-'tis past-he sinks upon the sand! (1)

LXXIX.

Where his vast neck just mingles with the spine, Sheathed in his form the deadly weapon lies.

He stops he starts

disdaining to decline:

Slowly he falls, amidst triumphant cries,
Without a groan, without a struggle dies.
The decorated car appears ·

on high

The corse is piled-sweet sight for vulgar eyes--Four steeds that spurn the rein, as swift as shy, Hurl the dark bulk along, scarce seen in dashing by.

(1) [The reader will do well to compare Lord Byron's animated picture of the popular "sport" of the Spanish nation, with the very circumstantial details contained in the charming "Letters of Don Leucadio Doblado," (i. e. the Rev. Blanco White) published in 1822. So inveterate was, at one time, the rage of the people for this amusement, that even boys mimicked its features in their play. In the slaughter-house itself the professional bull-fighter gave public lessons; and such was the force of depraved custom, that ladies of the highest rank were not ashamed to appear amidst the filth and horror of the shambles. The Spaniards received this sport from the Moors, among whom it was celebrated with great pomp and splendour.. See various Notes to Mr. Lockhart's Collection of Ancient Spanish Ballads. 1822.-E.]