Chinese Theatre and the Actor in PerformanceCambridge University Press, 13 juni 1997 - 348 sidor This work gives an 'inside' view of Chinese theatre and the actor in performance for the first time. It challenges western theatre artists such as Brecht, Grotowski, Barba and Schechner, who have extracted from Chinese theatre elements which might enrich their own theatres. It is based on personal observations of and dialogue with Chinese actors, experiences which were impossible before 1980. Riley's study is well illustrated with photographs and diagrams and is accessible to anyone interested in theatre, even those with no knowledge of Chinese or Chinese theatre. |
Innehåll
Biao Appearance | 54 |
Duan To sever | 85 |
Shenfen Identity | 137 |
Qi Presence | 206 |
He To unify | 237 |
Yuan Round | 283 |
Conclusion | 314 |
Glossary of Chinese terms | 320 |
List of Chinese works | 329 |
336 | |
344 | |
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actor altar ancestors artefact articulation Beijing centre ceremony chapter character China Chinese performance Chinese theatre clan colour concubine concubine Yang Yuhuan costume dance deceased deity Dejiang demons dissection dynasty earth elements emperor eunuchs example exorcism exorcist Fangxiang Fangxiangshi Fashi feet female flower foot geese Gong Groot Guan Yu Guizhou hand sign head heaven hualian Huiliang human Ibid Jade Hare jingju jingju performer kaiguang kuilei kunqu liangxiang Luo diagram Luo matrix male marionette marionette master martial role masks Mawangdui meaning Mei Lanfang moon mortuary figures move movement numbers painted face palace pattern performer's performing body piece play pose position presence puppet qingyi qitou quyi represent ritual role types Sanxingdui sequence soul spectator spirit stage student style tablet Tang dynasty Taotie term tomb trigram troupe village Wang Wang Gong xiqu Yang Yuhuan yong Yu step Zhang Zhao Yun Zhong Kui Zhongguo Zhou
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