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according action admirable allowed already amongst ancient appear attempted beauty beginning better betwixt called carry Casaubon character chief colouring comedy considered critics distinguish Dryden English Ennius essay example excellent expression fault figures French genius give given greater Grecian Greek hand happy heroic Homer honour Horace idea imitated instructive invention judge Juvenal kind language Latin learning least less lines living Lord Lysippus manner master means mind moral Nature never noble numbers observed opinion original painter painting particular passage perfect performance Persius persons picture plays pleased pleasure poem poet poetry praise present proper reader reason rest Roman rules satire says seems sense side sort speak style taken things thought tion tragedy translation true turn understand verse vices Virgil virtue whole wholly write written wrote
Sida 167 - From thence to honour thee I would not seek For names ; but call forth thundering ^Eschylus, Euripides, and Sophocles to us, Pacuvius, Accius, him of Cordova dead, To live again, to hear thy buskin tread And shake a stage ; or, when thy socks were on, Leave thee alone, for the comparison Of all that insolent Greece or haughty Rome Sent forth, or since did from their ashes come.
Sida 76 - ... there is still a vast difference betwixt the slovenly butchering of a man, and the fineness of a stroke that separates the head from the body, and leaves it standing in its place. A man may be capable, as Jack Ketch's wife said of his servant, of a plain piece of work, a bare hanging ; but to make a malefactor die sweetly, was only belonging to her husband.
Sida 187 - A man so various, that he seemed to be Not one, but all mankind's epitome : Stiff in opinions, always in the wrong, Was everything by starts, and nothing long; But, in the course of one revolving moon, Was chemist, fiddler, statesman, and buffoon ; Then all for women, painting, rhyming, drinking, Besides ten thousand freaks that died in thinking.
Sida viii - They have not the formality of a settled style, in which the first half of the sentence betrays the other. The clauses are never balanced, nor the periods modelled ; every word seems to drop by chance, though it falls into 30 its proper place. Nothing is cold or languid ; the whole is airy, animated, and vigorous ; what is little, is gay
Sida 93 - But this hint, thus seasonably given me, first made me sensible of my own wants, and brought me afterwards to seek for the supply of them in other English authors. I looked over the darling of my youth, the famous Cowley...
Sida 103 - Tis one thing to draw the outlines true, the features like, the proportions exact, the colouring itself perhaps tolerable ; and another thing to make all these graceful, by the posture, the shadowings, and, chiefly, by the spirit which animates the whole.
Sida 16 - I had intended to have put in practice, (though far unable for the attempt of such a poem,) and to have left the stage, (to which my genius never much inclined me,) for a work which would have taken up my life in the performance of it. This, too, I had intended chiefly for the honour of my native country, to which a poet is particularly obliged...
Sida 154 - Friar, an fond as otherwise I am of it, from this imputation; for though the comical parts are diverting, and the .serious moving, yet they are of an unnatural mingle: for mirth and gravity destroy each other, and are no more to be allowed for decent, than a gay widow laughing in a mourning habit.
Sida xvii - There is more of salt in all your verses than I have seen in any of the moderns or even of the ancients; but you have been sparing of the gall, by which means you have pleased all readers, and offended none.