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action American antique artist beauty becomes believe better Browning century charm common conception concerning construction creative criticism definition direct distinction divine drama effect elements emotion English epic equally example expression fact faith feeling force genius gift give Greek hand heart highest human ideal illustrate imagination impressive individuality inspiration invention Italy Keats kind language learning less light limits literature living lyrical matter mean ment method mind move nature never objective original painter passing passion perfect period play poem poet poet's poetic poetry produced prose pure race respect rhythm seems sense Shakespeare sion song soul speech spirit statement style subjective suggested taste things thought tion touch true truth types universal utterance verse vision voice worth write youth
Sida 67 - Pipe to the spirit ditties of no tone : Fair youth, beneath the trees, thou canst not leave Thy song, nor ever can those trees be bare; Bold Lover, never, never canst thou kiss, Though winning near the goal — yet, do not grieve; 101 She cannot fade, though thou hast not thy bliss, For ever wilt thou love, and she be fair...
Sida 263 - She dwelt among the untrodden ways Beside the springs of Dove, A Maid whom there were none to praise And very few to love: A violet by a mossy stone Half hidden from the eye ! Fair as a star, when only one Is shining in the sky. She lived unknown, and few could know When Lucy ceased to be; But she is in her grave, and, oh, The difference to me!
Sida 81 - I pass, like night, from land to land; I have strange power of speech; That moment that his face I see, I know the man that must hear me: To him my tale I teach.
Sida 295 - The Sea of Faith Was once, too, at the full, and round earth's shore Lay like the folds of a bright girdle furl'd. But now I only hear Its melancholy, long, withdrawing roar, Retreating, to the breath Of the night- wind, down the vast edges drear And naked shingles of the world.
Sida 117 - And wisdom at one entrance quite shut out. So much the rather thou, celestial Light, Shine inward, and the mind through all her powers Irradiate ; there plant eyes, all mist from thence Purge and disperse, that I may see and tell Of things invisible to mortal sight.
Sida 248 - Saturn, quiet as a stone, Still as the silence round about his lair ; Forest on forest hung about his head Like cloud on cloud. No stir of air was there, Not so much life as on a summer's day Robs not one light seed from the feather'd grass, But where the dead leaf fell, there did it rest.
Sida 27 - Tasso, Mazzoni, and others, teaches what the laws are of a true epic poem, what of a dramatic, what of a lyric, what decorum is, which is the grand masterpiece to observe.
Sida 45 - Is lightened ; that serene and blessed mood In which the affections gently lead us on, Until the breath of this corporeal frame, And even the motion of our human blood Almost suspended, we are laid asleep In body, and become a living soul : While with an eye made quiet by the power Of harmony and the deep power of joy, We see into the life of things.
Sida 274 - OF MY MOTHER'S PICTURE OUT OF NORFOLK, THE GIFT OF MY COUSIN, ANN BODHAM. OH that those lips had language ! Life has passed With me but roughly since I heard thee last. Those lips are thine — thy own sweet smile I see, The same that oft in childhood solaced me; Voice only fails, else how distinct they say, 'Grieve not, my child, chase all thy fears away!
Schoolroom Poets: Childhood, Performance, and the Place of American Poetry ...
Begränsad förhandsgranskning - 2005
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