Shakespearean CriticismSandra L. Williamson Gale Research International, Limited, 1991 - 496 sidor Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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... audience , for Martin Holmes rightly perceives that ' Burbage has been given the chance to win over the lady and the audience by the con- vincing way in which he expresses himself . . . and we can understand how a woman in the audience ...
... audience , for Martin Holmes rightly perceives that ' Burbage has been given the chance to win over the lady and the audience by the con- vincing way in which he expresses himself . . . and we can understand how a woman in the audience ...
Sida 150
... audience might have responded . It is true that , in Richard III , the providential view of history seems diametrically opposed to traditional stage practice : the clear need for audiences to denounce Richard by the play's end makes his ...
... audience might have responded . It is true that , in Richard III , the providential view of history seems diametrically opposed to traditional stage practice : the clear need for audiences to denounce Richard by the play's end makes his ...
Sida 153
... audience's attitude ; the lament of the women confirms its shift in sympathy . An audience does not feel as it did because Shakespeare has manipulated its response . Al- though the spectators will have to wait until 5,3 for an ex ...
... audience's attitude ; the lament of the women confirms its shift in sympathy . An audience does not feel as it did because Shakespeare has manipulated its response . Al- though the spectators will have to wait until 5,3 for an ex ...
Innehåll
Food in The Comedy of Errors | 12 |
Failed Courtship | 24 |
Anthony Brian Taylor Goldings Ovid Shakespeares Small Latin | 33 |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volym 28 Fragmentarisk förhandsgranskning - 1984 |
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action actor Angelo Antony Antony and Cleopatra appears argues aristocratic audience blood Brutus Cambridge character Claudius Cleopatra comedy comic Cordelia court courtly critics cultural death discourse dramatic dream Duke Elizabethan emulation England English essay Essex Falstaff father final gender Hamlet hath Henry Hercules hero human Iago imagination John Julius Caesar King Lear Lady language Lear's Leontes lines London Lord Love's Labour's Lost Lysimachus Macbeth male means Measure for Measure Menaechmi ment mind moral murder nature Othello performance Pericles play's political Press Prince Prospero Quarto Queen reading Renaissance revenge rhetorical Richard Richard III role scene seems sense sexual Shake Shakespeare Shakespeare's play social soliloquy speak speare speare's spectators speech stage suggests theatre theatrical thee thou Timon Timon of Athens tion Titus tragedy tragic traitor treason Troilus and Cressida Univ vols Winter's Tale woman women words
Hänvisningar till den här boken
The Merchant of Venice: Shakespeare: The Critical Tradition William Baker,Brian Vickers Fragmentarisk förhandsgranskning - 2005 |