Shakespearean CriticismSandra L. Williamson Gale Research International, Limited, 1991 - 496 sidor Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Sida 53
... becomes much more clearly visible as having happened by the seventeenth and eigh- teenth centuries , and has been ... become estab- lished aims . The wildness of Mr. Punch , his stubborn un- ruliness , simply goes out of fashion . It is ...
... becomes much more clearly visible as having happened by the seventeenth and eigh- teenth centuries , and has been ... become estab- lished aims . The wildness of Mr. Punch , his stubborn un- ruliness , simply goes out of fashion . It is ...
Sida 76
... becomes doubly , even triply , specularized , a strategy which stigmatizes her worth as well as circum- scribes and contains her voice and body . Yet the very heavy - handedness of the frames in which she is set also re- veals the ...
... becomes doubly , even triply , specularized , a strategy which stigmatizes her worth as well as circum- scribes and contains her voice and body . Yet the very heavy - handedness of the frames in which she is set also re- veals the ...
Sida 415
... become indistinguishable from the real . It then becomes feasible to infer the nature of reality from the visions of imagination : it seems ' cre- dent ' to Leontes that imagination must ' co - join with some- thing ' - must have at its ...
... become indistinguishable from the real . It then becomes feasible to infer the nature of reality from the visions of imagination : it seems ' cre- dent ' to Leontes that imagination must ' co - join with some- thing ' - must have at its ...
Innehåll
Food in The Comedy of Errors | 12 |
Failed Courtship | 24 |
Anthony Brian Taylor Goldings Ovid Shakespeares Small Latin | 33 |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volym 28 Fragmentarisk förhandsgranskning - 1984 |
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action actor Angelo Antony Antony and Cleopatra appears argues aristocratic audience blood Brutus Cambridge character Claudius Cleopatra comedy comic Cordelia court courtly critics cultural death discourse dramatic dream Duke Elizabethan emulation England English essay Essex Falstaff father final gender Hamlet hath Henry Hercules hero human Iago imagination John Julius Caesar King Lear Lady language Lear's Leontes lines London Lord Love's Labour's Lost Lysimachus Macbeth male means Measure for Measure Menaechmi ment mind moral murder nature Othello performance Pericles play's political Press Prince Prospero Quarto Queen reading Renaissance revenge rhetorical Richard Richard III role scene seems sense sexual Shake Shakespeare Shakespeare's play social soliloquy speak speare speare's spectators speech stage suggests theatre theatrical thee thou Timon Timon of Athens tion Titus tragedy tragic traitor treason Troilus and Cressida Univ vols Winter's Tale woman women words
Hänvisningar till den här boken
The Merchant of Venice: Shakespeare: The Critical Tradition William Baker,Brian Vickers Fragmentarisk förhandsgranskning - 2005 |