Shakespearean CriticismSandra L. Williamson Gale Research International, Limited, 1991 - 496 sidor Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Sida 158
... course severe- ly limited : there is no parliamentary body or representa- tive of the people present to curb political decisions made by the court , and there is no revolutionary proletarian force operative here . Shakespeare firmly ...
... course severe- ly limited : there is no parliamentary body or representa- tive of the people present to curb political decisions made by the court , and there is no revolutionary proletarian force operative here . Shakespeare firmly ...
Sida 419
... course there in Paulina , but the occasion of their expression is imper- sonated , since the queen is not dead . The dramatic medi- um chosen for the application of punishment is not an an- guished emotional sincerity but a biting ...
... course there in Paulina , but the occasion of their expression is imper- sonated , since the queen is not dead . The dramatic medi- um chosen for the application of punishment is not an an- guished emotional sincerity but a biting ...
Sida 421
... course the country of romance , and seems from this initial contradic- tion to offer a challenging simplicity and naive spontaneity with which to measure the brooding and suspicious self- consciousness of the court . The pastoral scene ...
... course the country of romance , and seems from this initial contradic- tion to offer a challenging simplicity and naive spontaneity with which to measure the brooding and suspicious self- consciousness of the court . The pastoral scene ...
Innehåll
Food in The Comedy of Errors | 12 |
Failed Courtship | 24 |
Anthony Brian Taylor Goldings Ovid Shakespeares Small Latin | 33 |
Upphovsrätt | |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volym 28 Fragmentarisk förhandsgranskning - 1984 |
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action actor Angelo Antony Antony and Cleopatra appears argues aristocratic audience blood Brutus Cambridge character Claudius Cleopatra comedy comic Cordelia court courtly critics cultural death discourse dramatic dream Duke Elizabethan emulation England English essay Essex Falstaff father final gender Hamlet hath Henry Hercules hero human Iago imagination John Julius Caesar King Lear Lady language Lear's Leontes lines London Lord Love's Labour's Lost Lysimachus Macbeth male means Measure for Measure Menaechmi ment mind moral murder nature Othello performance Pericles play's political Press Prince Prospero Quarto Queen reading Renaissance revenge rhetorical Richard Richard III role scene seems sense sexual Shake Shakespeare Shakespeare's play social soliloquy speak speare speare's spectators speech stage suggests theatre theatrical thee thou Timon Timon of Athens tion Titus tragedy tragic traitor treason Troilus and Cressida Univ vols Winter's Tale woman women words
Hänvisningar till den här boken
The Merchant of Venice: Shakespeare: The Critical Tradition William Baker,Brian Vickers Fragmentarisk förhandsgranskning - 2005 |