Shakespearean CriticismSandra L. Williamson Gale Research International, Limited, 1991 - 496 sidor Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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... imagination's power over difference , which , at least in the case of the Middle Temple performance , meant a male imagination.25 This explains such ' male ' jokes as Viola's : ' Pray God defend me ! A little thing would make me tell ...
... imagination's power over difference , which , at least in the case of the Middle Temple performance , meant a male imagination.25 This explains such ' male ' jokes as Viola's : ' Pray God defend me ! A little thing would make me tell ...
Sida 415
... imagination clearly brings something into being , constructs images of the ' possible ' . Those concrete imaginative embodiments of possibility acquire an undeni- able vitality and substance : they become indistinguishable from the real ...
... imagination clearly brings something into being , constructs images of the ' possible ' . Those concrete imaginative embodiments of possibility acquire an undeni- able vitality and substance : they become indistinguishable from the real ...
Sida 424
... imagination and baffle understanding - they are not seen as deriving , as they do in The Tempest , from the sovereign power of the patriar- chal ruler . The powerful men of The Winter's Tale , two kings , are here firmly constituted as ...
... imagination and baffle understanding - they are not seen as deriving , as they do in The Tempest , from the sovereign power of the patriar- chal ruler . The powerful men of The Winter's Tale , two kings , are here firmly constituted as ...
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Food in The Comedy of Errors | 12 |
Failed Courtship | 24 |
Anthony Brian Taylor Goldings Ovid Shakespeares Small Latin | 33 |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volym 28 Fragmentarisk förhandsgranskning - 1984 |
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action actor Angelo Antony Antony and Cleopatra appears argues aristocratic audience blood Brutus Cambridge character Claudius Cleopatra comedy comic Cordelia court courtly critics cultural death discourse dramatic dream Duke Elizabethan emulation England English essay Essex Falstaff father final gender Hamlet hath Henry Hercules hero human Iago imagination John Julius Caesar King Lear Lady language Lear's Leontes lines London Lord Love's Labour's Lost Lysimachus Macbeth male means Measure for Measure Menaechmi ment mind moral murder nature Othello performance Pericles play's political Press Prince Prospero Quarto Queen reading Renaissance revenge rhetorical Richard Richard III role scene seems sense sexual Shake Shakespeare Shakespeare's play social soliloquy speak speare speare's spectators speech stage suggests theatre theatrical thee thou Timon Timon of Athens tion Titus tragedy tragic traitor treason Troilus and Cressida Univ vols Winter's Tale woman women words
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The Merchant of Venice: Shakespeare: The Critical Tradition William Baker,Brian Vickers Fragmentarisk förhandsgranskning - 2005 |