Shakespearean CriticismSandra L. Williamson Gale Research International, Limited, 1991 - 496 sidor Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Sida 124
... person- ating of a woman , one that succeeds , through " lively " act- ing , in making the spectators feel as the woman feels . Silvia proves a receptive audience , " I weep myself to think upon thy words " ( 175 ) . But which story is ...
... person- ating of a woman , one that succeeds , through " lively " act- ing , in making the spectators feel as the woman feels . Silvia proves a receptive audience , " I weep myself to think upon thy words " ( 175 ) . But which story is ...
Sida 164
... person of her son Arthur . There is no hint in The Troublesome Raigne of the competition between Elea- nor and John for the centre of the stage , which Shake- speare creates in the first scene and which he would have found only in the ...
... person of her son Arthur . There is no hint in The Troublesome Raigne of the competition between Elea- nor and John for the centre of the stage , which Shake- speare creates in the first scene and which he would have found only in the ...
Sida 202
... person " -identity as such - is placidly defined in just such irreducibly theatrical terms . At the same time , however , in a tragedy such as King Lear , with its dramatized terror precisely at the prospect of dispersal and madness ...
... person " -identity as such - is placidly defined in just such irreducibly theatrical terms . At the same time , however , in a tragedy such as King Lear , with its dramatized terror precisely at the prospect of dispersal and madness ...
Innehåll
Food in The Comedy of Errors | 12 |
Failed Courtship | 24 |
Anthony Brian Taylor Goldings Ovid Shakespeares Small Latin | 33 |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volym 28 Fragmentarisk förhandsgranskning - 1984 |
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action actor Angelo Antony Antony and Cleopatra appears argues aristocratic audience blood Brutus Cambridge character Claudius Cleopatra comedy comic Cordelia court courtly critics cultural death discourse dramatic dream Duke Elizabethan emulation England English essay Essex Falstaff father final gender Hamlet hath Henry Hercules hero human Iago imagination John Julius Caesar King Lear Lady language Lear's Leontes lines London Lord Love's Labour's Lost Lysimachus Macbeth male means Measure for Measure Menaechmi ment mind moral murder nature Othello performance Pericles play's political Press Prince Prospero Quarto Queen reading Renaissance revenge rhetorical Richard Richard III role scene seems sense sexual Shake Shakespeare Shakespeare's play social soliloquy speak speare speare's spectators speech stage suggests theatre theatrical thee thou Timon Timon of Athens tion Titus tragedy tragic traitor treason Troilus and Cressida Univ vols Winter's Tale woman women words
Hänvisningar till den här boken
The Merchant of Venice: Shakespeare: The Critical Tradition William Baker,Brian Vickers Fragmentarisk förhandsgranskning - 2005 |