Shakespearean CriticismSandra L. Williamson Gale Research International, Limited, 1991 - 496 sidor Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Sida 25
... question of Shakespeare's attitude to Golding is a particu- lar cause for concern . Influential modern scholars see Golding's translation as a second - rate , stop - gap work which Shakespeare did not like but was forced to use because ...
... question of Shakespeare's attitude to Golding is a particu- lar cause for concern . Influential modern scholars see Golding's translation as a second - rate , stop - gap work which Shakespeare did not like but was forced to use because ...
Sida 40
... questions that the Quarto script , unlike the editorial version , forces upon an acting compa- ny . First , another question of scenic geography : where have Puck and Oberon met , and why does it matter ? Most of the editors seem none ...
... questions that the Quarto script , unlike the editorial version , forces upon an acting compa- ny . First , another question of scenic geography : where have Puck and Oberon met , and why does it matter ? Most of the editors seem none ...
Sida 391
... question of sources and earlier versions can be done away with and the story accounted for simply with Gower and Twine as source and Shakespeare as au- thor . But before I give my own solution I must first try to de- scribe the ...
... question of sources and earlier versions can be done away with and the story accounted for simply with Gower and Twine as source and Shakespeare as au- thor . But before I give my own solution I must first try to de- scribe the ...
Innehåll
Food in The Comedy of Errors | 12 |
Failed Courtship | 24 |
Anthony Brian Taylor Goldings Ovid Shakespeares Small Latin | 33 |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volym 28 Fragmentarisk förhandsgranskning - 1984 |
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action actor Angelo Antony Antony and Cleopatra appears argues aristocratic audience blood Brutus Cambridge character Claudius Cleopatra comedy comic Cordelia court courtly critics cultural death discourse dramatic dream Duke Elizabethan emulation England English essay Essex Falstaff father final gender Hamlet hath Henry Hercules hero human Iago imagination John Julius Caesar King Lear Lady language Lear's Leontes lines London Lord Love's Labour's Lost Lysimachus Macbeth male means Measure for Measure Menaechmi ment mind moral murder nature Othello performance Pericles play's political Press Prince Prospero Quarto Queen reading Renaissance revenge rhetorical Richard Richard III role scene seems sense sexual Shake Shakespeare Shakespeare's play social soliloquy speak speare speare's spectators speech stage suggests theatre theatrical thee thou Timon Timon of Athens tion Titus tragedy tragic traitor treason Troilus and Cressida Univ vols Winter's Tale woman women words
Hänvisningar till den här boken
The Merchant of Venice: Shakespeare: The Critical Tradition William Baker,Brian Vickers Fragmentarisk förhandsgranskning - 2005 |