Shakespearean CriticismSandra L. Williamson Gale Research International, Limited, 1991 - 496 sidor Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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... seems desperate to simulate both marital love and divine justice precisely because his city seems to have lost track of the original models . As soon as one begins to look behind these necessities , to doubt these comforts - as Measure ...
... seems desperate to simulate both marital love and divine justice precisely because his city seems to have lost track of the original models . As soon as one begins to look behind these necessities , to doubt these comforts - as Measure ...
Sida 251
... seems ( in Conrad's words , from another transitional time ) no more than a ' masquerade of something hopelessly un- known ' ; 29 and so it is that the ' reality ' of the old King Hamlet has fragmented in the fragmented minds of those ...
... seems ( in Conrad's words , from another transitional time ) no more than a ' masquerade of something hopelessly un- known ' ; 29 and so it is that the ' reality ' of the old King Hamlet has fragmented in the fragmented minds of those ...
Sida 271
... seems to have included too much in II . ii : Hamlet's discussion with Rosencrantz and Guildenstern about the state of Denmark and the nature of ambition ( 11. 238-69 ) is not in Q2 ( or Q1 ) but seems to have left traces of excision ...
... seems to have included too much in II . ii : Hamlet's discussion with Rosencrantz and Guildenstern about the state of Denmark and the nature of ambition ( 11. 238-69 ) is not in Q2 ( or Q1 ) but seems to have left traces of excision ...
Innehåll
Food in The Comedy of Errors | 12 |
Failed Courtship | 24 |
Anthony Brian Taylor Goldings Ovid Shakespeares Small Latin | 33 |
Upphovsrätt | |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volym 28 Fragmentarisk förhandsgranskning - 1984 |
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action actor Angelo Antony Antony and Cleopatra appears argues aristocratic audience blood Brutus Cambridge character Claudius Cleopatra comedy comic Cordelia court courtly critics cultural death discourse dramatic dream Duke Elizabethan emulation England English essay Essex Falstaff father final gender Hamlet hath Henry Hercules hero human Iago imagination John Julius Caesar King Lear Lady language Lear's Leontes lines London Lord Love's Labour's Lost Lysimachus Macbeth male means Measure for Measure Menaechmi ment mind moral murder nature Othello performance Pericles play's political Press Prince Prospero Quarto Queen reading Renaissance revenge rhetorical Richard Richard III role scene seems sense sexual Shake Shakespeare Shakespeare's play social soliloquy speak speare speare's spectators speech stage suggests theatre theatrical thee thou Timon Timon of Athens tion Titus tragedy tragic traitor treason Troilus and Cressida Univ vols Winter's Tale woman women words
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The Merchant of Venice: Shakespeare: The Critical Tradition William Baker,Brian Vickers Fragmentarisk förhandsgranskning - 2005 |