Шевченко в образотворчому мистецтвіGeorge S. N. Luckyj, George Stephen Nestor Luckyj, Canadian Institute of Ukrainian Studies published, 1980 - 522 sidor |
Innehåll
Introduction | 3 |
Graveside Oration | 55 |
Excerpts from Shevchenko the Ukrainophiles and Socialism | 65 |
Upphovsrätt | |
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Шевченко в образотворчому мистецтві George S. N. Luckyj,George Stephen Nestor Luckyj,Canadian Institute of Ukrainian Studies Fragmentarisk förhandsgranskning - 1980 |
Шевченко в образотворчому мистецтві George S. N. Luckyj,George Stephen Nestor Luckyj,Canadian Institute of Ukrainian Studies Fragmentarisk förhandsgranskning - 1980 |
Шевченко в образотворчому мистецтві George S. N. Luckyj,George Stephen Nestor Luckyj,Canadian Institute of Ukrainian Studies Fragmentarisk förhandsgranskning - 1980 |
Vanliga ord och fraser
artist ballad basic profile become Belinsky Bilozersky Bohdan brother Brotherhood chenko Cossack creative criticism culture Cyril and Methodius Decembrists Drahomanov dumy émigré evil example exile expressed folklore Franko friends German girl Haidamaky heart hetmans human ideas ideological influence interest ioho Ivan Ivan Franko Kateryna kazhe Kharkiv khto Kiev Kobzar Kostomarov Kulish land-owners language later letters literary liudy live Lviv lyrical Mariia Marusia Mickiewicz's minstrel Moscow mother motifs Muscovite muzhik orphan Panteleimon Kulish peasant Perebendia poet poet's poetic pokrytka Polish political Priima projected profile published punishment reader religious revolutionary rhymes romantic romanticism Saints Cyril scholars serfdom shcho Shev Shevchenko scholarship Shevchenko's poem Shevchenko's poetry Slavic Slavs social song soul Soviet St Petersburg studies style Taras Taras Shevchenko theme thought Three-Leaved Herb Topolia truth tsars Ukraine Ukraine's Ukrainian literature voliu water nymphs Western Ukrainian words writing wrote Zaporozhians