A History of English Romanticism in the Eighteenth Century, Volym 10H. Holt, 1898 - 455 sidor |
Från bokens innehåll
Resultat 1-5 av 64
Sida 3
... in intention and in the models which they follow ; while Victor Hugo's " Notre Dame de Paris , " Scott's " The Romantic School " ( Fleishman's translation ) , p . 13 . " Ivanhoe , " Fouqué's " Der Zauberring , " The Subject Defined . 3.
... in intention and in the models which they follow ; while Victor Hugo's " Notre Dame de Paris , " Scott's " The Romantic School " ( Fleishman's translation ) , p . 13 . " Ivanhoe , " Fouqué's " Der Zauberring , " The Subject Defined . 3.
Sida 9
... Scott is to be called a romantic writer is chiefly that , in opposition to the literary tra- dition of the last century , he loved strange adventure and sought it in the Middle Age . " Here again the essayist is careful to explain that ...
... Scott is to be called a romantic writer is chiefly that , in opposition to the literary tra- dition of the last century , he loved strange adventure and sought it in the Middle Age . " Here again the essayist is careful to explain that ...
Sida 13
... Scott and Shelley of the latter school . Here then we have a third criterion proposed for determining the essential differentia of romantic art . First it was mystery , then aspiration ; now it is the appeal to the emotions by the ...
... Scott and Shelley of the latter school . Here then we have a third criterion proposed for determining the essential differentia of romantic art . First it was mystery , then aspiration ; now it is the appeal to the emotions by the ...
Sida 16
... Scott , as most romantic in his themes , but Byron , in his mood . So , too , Mr. Sidney Colvin † denies that " a predilec- tion for classic subjects . . . can make a writer that which we understand by the word classical as distin ...
... Scott , as most romantic in his themes , but Byron , in his mood . So , too , Mr. Sidney Colvin † denies that " a predilec- tion for classic subjects . . . can make a writer that which we understand by the word classical as distin ...
Sida 24
... Scott ; very little about Byron , intensely romantic as he was in many meanings of the word . This will not preclude me from glancing occasionally at other elements besides . mediævalism which enter into the concept of the term ...
... Scott ; very little about Byron , intensely romantic as he was in many meanings of the word . This will not preclude me from glancing occasionally at other elements besides . mediævalism which enter into the concept of the term ...
Andra upplagor - Visa alla
A History of English Romanticism in the Eighteenth Century Henry Augustin Beers Fragmentarisk förhandsgranskning - 1932 |
A History of English Romanticism in the Eighteenth Century Henry A. Beers Ingen förhandsgranskning - 2014 |
A History of English Romanticism in the Eighteenth Century (Classic Reprint) Henry A. Beers Ingen förhandsgranskning - 2015 |
Vanliga ord och fraser
Addison admired Aella Akenside ancient antiquity ballads bard beauty blank verse Byron Castle of Otranto Chatterton Chaucer Chevy Chase classical Collins critics drama Dryden edition eighteenth century Elegy England English poetry Essay Faërie Queene fiction French Gaelic garden genius German ghost Goethe Gothic Gothic architecture Gray Gray's Grongar Hill heroic Highlands Homer imagination imitations Johnson Joseph Warton language Leasowes letters Lewis literary literature London MacPherson's manner manuscript medieval melancholy Middle Ages Milton Minstrel modern Monk muse Mysteries of Udolpho nature night old English original Ossian passage passion Percy Percy's pieces poetic poets Pope Pope's popular preface prose published reader Reliques revival rhyme romantic movement romanticism Rowley poems says Scott sentiment Shakspere Shenstone song Spenser Spenserian spirit stanza story style Tam Lin taste Thomas Warton Thomson thought tion tragedy translation Walpole Walpole's wild words Wordsworth writes written wrote
Populära avsnitt
Sida 145 - Phlegra with the heroic race were joined That fought at Thebes and Ilium, on each side Mixed with auxiliar gods ; and what resounds In fable or romance of Uther's son Begirt with British and Armoric knights ; And all who since, baptized or infidel, Jousted in Aspramont, or Montalban, Damasco, or Marocco, or Trebisond, Or whom Biserta sent from Afric shore, When Charlemain with all his peerage fell By Fontarabbia.
Sida 271 - In behint yon auld fail dyke, I wot there lies a new-slain Knight ; And naebody kens that he lies there, But his hawk, his hound, and lady fair. ' His hound is to the hunting gane, His hawk to fetch the wild-fowl hame, His lady's ta'en another mate, So we may mak our dinner sweet. ' Ye'll sit on his white hause-bane, And I'll pick out his bonny blue een : Wi' ae lock o' his gowden hair We'll theek our nest when it grows bare.
Sida 155 - Now fades the glimmering landscape on the sight, And all the air a solemn stillness holds, Save where the beetle wheels his droning flight, And drowsy tinklings lull the distant folds ; Save that, from yonder ivy-mantled tower, The moping owl does to the moon complain Of such as, wandering near her secret bower, Molest her ancient solitary reign.
Sida 119 - His Gardens next your admiration call, On ev'ry side you look, behold the Wall! No pleasing Intricacies intervene, No artful wildness to perplex the scene; Grove nods at grove, each Alley has a brother, And half the platform just reflects the other.
Sida 129 - Whether to plant a walk in undulating curves, and to place a bench at every turn where there is an object to catch the view; to make water run where it will be heard, and to stagnate where it will be seen...
Sida 91 - It was, I ween, a lovely spot of ground; And there a season atween June and May, Half...
Sida 234 - I waked one morning in the beginning of last June from a dream, of which all I could recover was, that I had thought myself in an ancient castle (a very natural dream for a head filled like mine with Gothic story) and that on the uppermost bannister of a great staircase I saw a gigantic hand in armour. In the evening I sat down and began to write, without knowing in the least what I intended to say or relate.
Sida 270 - I never heard the old song of Percy and Douglas that I found not my heart moved more than with a trumpet...
Sida 111 - The lamb thy riot dooms to bleed today, Had he thy reason, would he skip and play? Pleased to the last, he crops the flowery food, And licks the hand just raised to shed his blood.
Sida 37 - O could I flow like thee, and make thy stream My great example, as it is my theme! Though deep, yet clear, though gentle, yet not dull, Strong without rage, without o'er-flowing full.