6 And when my knightly ftomach is fuffic'd, 6 Like an a, b, c book.] An a, b, c book, or, as they spoke and wrote it, an abfey book, is a catechifm. 7 And fo e'er answer knows what question would, SAVING in dialogue of compli ment;] In this fine fpeech, Faulconbridge would fhew the advantages and prerogatives of men of worship. He obferves, particularly, that he has the traveller at command (people at that time, when a new world was difcovering, in the highest estimation). At the firft intimation of his defire, to hear ftrange ftories, the traveller complies, and will fearce give him leave to make his queftion, but e'er anfwer knows what question would -What then, why, according to the prefent reading, it grows towards fupper-time: And is not this worshipful fociety? To fpend all the time between dinner and fupper before either of them knows what the other would be Read SERVING inttead of faving, and all this nonfenfe is at. avoided; and the account ftands thus, "E'er answer knows what 66 queftion would be at, my tra"veller ferves in his dialogue of compliment, which is his ftanding dish at all tables; then he comes to talk of the Alps and Apenines, &c. and, by the time this "difcourfe concludes, it draws "towards fupper." All this is fenfible and humorous; and the phrafe of ferving in is a very pleasant one to denote that this was his worship's fecond course. What follows fhews the romantic turn of the voyagers of that time; how greedily their relations were fwallowed, which he calls fweet poifon for the age's tooth and how acceptable it made men at court-For it fall firew the footsteps of my rifing. And yet the Oxford Editor fays, by this sweet poison is meant WARBURTON. flattery. This paffage is obfcure; but fuch an irregularity and perplexity runs thro' the whole fpeech, that I think this emendation not necessary. The The Pyrenean and the river Po; It draws towards fupper in conclufion, fo. And fits the mounting spirit like myself: Sweet, sweet, sweet poison for the age's tooth; For it shall strew the footsteps of my rifing. Enter Lady Faulconbridge, and James Gurney. Lady. Where is that flave, thy brother, where is he, Lady. Sir Robert's fon? ay, thou unrev'rend boy, Which though, &c.] The conftruction will be mended, if inftead of which though, we read, this though. 9 But who comes here.] Milton, in his tragedy, introduces Dallilab with fuch an interrogatory exclamation. To blow a born.] He means, that a woman who travelled about like a poft was likely to born her husband. 2 Colbrand was a Danish giant, whom Guy of Warwick difcomfited in the prefence of king Athelfian. The combat is very pompously defcribed by Drayton in his Polyolbien. Sir Robert's fon; why fcorn't thou at Sir Robert ? Philip. James Gurney, wilt thou give us leave a while? 3 Phil. Philip! fparrow James; There's toys abroad; anon I'll tell thee more, [Exit James. Madam, I was not old Sir Robert's fon, Sir Robert never holpe to make this leg. Lady. Haft thou confpired with thy brother too, That, for thine own gain, fhould't defend mine ho nour? What means this fcorn, thou moft untoward knave? 4 Phil. Knight, Knight, good mother lifco like. Bafi What! 3 Philip, fparrow, James.] I conbridge's Words here carry a think the Poet wrote, Philip! Spare me, James. i. e. don't affront me with an appellation that comes from a Family which I difclaim. WARB. The old reading is far more agreeable to the character of the Speaker. Dr. Gray obferves, that Skelton has a poem to the memory of Philip Sparrow; and Mr. Pope in a short note remarks, that a Sparrow is called Philip. 4 Knight, Knight, good Mother, Bafilifco like.] Thus muft this Paffage be pointed; and, to come at the Humour of it, I must clear up an old Circumftance of Stage Hiftory. Faul concealed Piece of Satire on a Baf. O, Ifwear, I fwear, my father What! I am dub'd; I have it on my fhoulder: › Some fins do bear their privilege on earth, Bal. By the Contents of this Pift. I, the aforesaid Bafilifco, Pift. Knave, good fellow, knave, knave, So that 'tis clear, our Poet is fneering at this Play; and makes Philip, when his Mother calls him Knave, throw off that Reproach by humorously laying claim to his new Dignity of Knighthood; as Bafilico arrogantly infifts on his Title of Knight in the Paffage above quoted. The old Play is an execrable bad one; and, I fuppofe, was fufficiently exploded in the Reprefentation: which might make this Circumftance fo well known, as to become the Butt for a Stage farcafm. THEOBALD. Knight, Knight, good mother Bafilico like The words allude to an expreffion in an old foolish play, then the common butt of ridicule, but the beauty of the paffage confifts in his alluding, at the fame time, to his high original. His father, Richard the firft, was furnamed Coeur de-lion. And the Cor Leonis, a fixed ftar of the first magnitude, in the fign Leo, is called Bafilifco. WARBURTON. Could one have thought it! 5 Some fins.] There are fins, that, whatever be determined of them above, are not much cenfured on earth. Against whofe fury, and unmatched force, [Exeunt. ACT II. SCENE I. Before the Walls of Angiers in France. Enter Philip King of France, Lewis the Dauphin, the Archduke of Auftria, Conftance, and Arthur. B 6 LEWIS. EFORE Angiers well met, brave Auftria. 6 Richard, that robb'd, &c.] So Raftal in his Chronicle. It is fayd that a Lyon was put to kynge Richard, beynge in prifon, to have devoured him, and when the lyon was gapynge he put his arme in his mouth, and pulled the lyon by the harte fo hard that And |