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The works of Samuel Johnson [ed. by F.P. Walesby].
Obegränsad förhandsgranskning - 1825
The Works of Samuel Johnson, LL.D.: Lives of the poets
Obegränsad förhandsgranskning - 1825
Addison admiration afterwards appears believe better called censure character common considered continued Cowley criticism death delight desire died Dryden duke earl easily effect elegance English equal excellence expected expression favour formed friends genius give given hand hope images imagination Italy kind king knowledge known labour lady language learning least less lines lived lord lost manner means mention Milton mind nature never numbers observed obtained once opinion original passage passed performance perhaps person play pleasing pleasure poem poet poetical poetry Pope praise present probably produced publick published reader reason received remarks rhyme says seems sent sentiments sometimes supposed thing thought tion told tragedy translation true verses Waller whole write written wrote
Sida 135 - Paradise Lost is one of the books which the reader admires and lays down, and forgets to take up again. None ever wished it longer than it is. Its perusal is a duty rather than a pleasure. We read Milton for instruction, retire harrassed and overburdened, and look elsewhere for recreation; we desert our master, and seek for companions.
Sida 120 - In this poem there is no nature, for there is no truth; there is no art, for there is nothing new. Its form is that of a pastoral, easy, vulgar, and therefore disgusting: whatever images it can supply are long ago exhausted; and its inherent improbability always forces dissatisfaction on the mind.
Sida 16 - Nor was the sublime more within their reach than the pathetic; for they never attempted that comprehension and expanse of thought which at once fills the whole mind, and of which the first effect is sudden astonishment, and the second rational admiration. Sublimity is produced by aggregation, and littleness by dispersion. Great thoughts are always general, and consist in positions not limited by exceptions, and in descriptions not descending to minuteness.
Sida 473 - Whoever wishes to attain an English style, familiar but not coarse, and elegant but not ostentatious, must give his days and nights to the volumes of Addison.
Sida 72 - ... that by labour and intent study, which I take to be my portion in- this life, joined with the strong propensity of nature, I might perhaps leave something so written to after-times, as they should not willingly let it die.
Sida 75 - Let not our veneration for Milton forbid us to look with some degree of merriment on great promises and small performance, on the man who hastens home, because his countrymen are contending for their liberty, and when he reaches the scene of action, vapours away his patriotism in a private boardingschool.
Sida 451 - ... truth. He has dissipated the prejudice that had long connected gaiety with vice, and easiness of manners with laxity of principles. He has restored virtue to its dignity, and taught innocence not to be ashamed. This is an elevation of literary character, " above all Greek, above all Roman fame.
Sida 326 - Blest above; So when the last and dreadful hour This crumbling pageant shall devour, The trumpet shall be heard on high, The dead shall live, the living die, And Music shall untune the sky!
Sida 108 - Fancy can hardly forbear to conjecture with what temper Milton surveyed the silent progress of his work, and marked his reputation stealing its way in a kind of subterraneous current through fear and silence. I cannot but conceive him calm and confident, little disappointed, not at all dejected, relying on his own merit with steady consciousness, and waiting, without impatience, the vicissitudes of opinion, and the impartiality of a future generation.
Sida 319 - This rule is still stronger with regard to arts not liberal, or confined to few, and therefore far removed from common knowledge; and of this kind, certainly, is technical navigation. Yet Dryden was of opinion that a seafight ought to be described in the nautical language; "and certainly," says he, "as those who in a logical dispute keep in general terms would hide a fallacy, so those who do it in any poetical description would veil their ignorance.