Towards a Philosophy of Photography

Framsida
Reaktion Books, 1 juni 2013 - 94 sidor
Media philosopher Vilém Flusser proposed a revolutionary new way of thinking about photography. An analysis of the medium in terms of aesthetics, science and politics provided him with new ways of understanding both the cultural crises of the past and the new social forms nascent within them. Flusser showed how the transformation of textual into visual culture (from the linearity of history into the two-dimensionality of magic) and of industrial into post-industrial society (from work into leisure) went hand in hand, and how photography allows us to read and interpret these changes with particular clarity.
 

Innehåll

Introductory Note
7
The Image
8
The Technical Image
14
The Apparatus
21
The Gesture of Photography
33
The Photograph
41
The Distribution of Photographs
49
The Reception of Photographs
57
The Photographic Universe
65
Why a Philosophy of Photography Is Necessary
76
Lexicon of Basic Concepts
83
Afterword Hubertus Von Amelunxen
86
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Om författaren (2013)

Vilém Flusser was born in Prague in 1920. After emigrating to Brazil and then to France, he embarked on an influential career as a lecturer and writer on language, design and communication. He died in 1991.

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