Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volym 50Gale Research Company, 1984 |
Från bokens innehåll
Resultat 1-3 av 46
Sida 132
... wounds on stage also derives from a paradox of subjective effect . Because theatrical wounds are always on one level false , they call into question ex- actly that which they would prove : the felt experience and subjective identity of ...
... wounds on stage also derives from a paradox of subjective effect . Because theatrical wounds are always on one level false , they call into question ex- actly that which they would prove : the felt experience and subjective identity of ...
Sida 133
... wounds . He depends upon them to validate his identity as warrior , but the wounds prove unstable and appropriable as signifiers . Rather than guaranteeing his identity , the wounds disfran- chise it . An interesting visual analogue for ...
... wounds . He depends upon them to validate his identity as warrior , but the wounds prove unstable and appropriable as signifiers . Rather than guaranteeing his identity , the wounds disfran- chise it . An interesting visual analogue for ...
Sida 134
... wounds to the people ... focuses further action and spectacle upon the hero's body . " 36 This focus reveals a gap between the hero and his body , reiterated in the theater by the analogous gap between the character and the actor's body ...
... wounds to the people ... focuses further action and spectacle upon the hero's body . " 36 This focus reveals a gap between the hero and his body , reiterated in the theater by the analogous gap between the character and the actor's body ...
Innehåll
Social Class in Shakespeares Plays | 1 |
Coriolanus | 99 |
Julius Caesar | 185 |
Upphovsrätt | |
3 andra avsnitt visas inte
Andra upplagor - Visa alla
Shakespearean Criticism: Excerpts from the Criticism of William ..., Volym 28 Fragmentarisk förhandsgranskning - 1984 |
Vanliga ord och fraser
action actor Antony Antony's Arcite's argued aristocratic assassination audience Aufidius blood body Brutus Brutus's Cade Cambridge Casca Caska Cassius character Chaucer Cicero comedy comic common conspirators Corio Coriolanus Coriolanus's court critics culture Cynic Daugh death Decius drama early modern Elizabethan Emilia emulation England English Epicurean essay fear Fletcher Greville Henry hero heroic honor interpretation Jailer's Daughter James Julius Caesar King King Lear Knight's Tale language lanus Lear London lord Martius means Menenius ment Midsummer Night's Dream moral Noble Kinsmen Oxford Palamon Palamon and Arcite patricians Pirithous play's plebeians plot Plutarch political poor popular Queen Renaissance rhetoric ritual Rome says scene seems senate sense sexual Shake Shakespeare Shakespeare's plays social speak speare speare's speech stage Stoic suggests theater theatrical Theseus Theseus's things thou tion Titus Andronicus traditional tragedy tragic tribunes Tudor voice Wooer words wounds