The Complete Works of Samuel Taylor Coleridge: With an Introductory Essay Upon His Philosophical and Theological Opinions, Volym 3Harper & brothers, 1853 |
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Sida ix
... poetic power elucidated in a critical analysis of Shakspeare's Venus and Adonis , and Rape of Lucrece . CHAPTER XVI . Striking points of difference between the Poets of the present age and those of the fifteenth and sixteenth centuries ...
... poetic power elucidated in a critical analysis of Shakspeare's Venus and Adonis , and Rape of Lucrece . CHAPTER XVI . Striking points of difference between the Poets of the present age and those of the fifteenth and sixteenth centuries ...
Sida xxiii
... poetic faculty and the productive intuition are identified , and that which is active in both , that one and the same , declared to be the imagination : but this appears to be the crown and comple- tion of a system already laid down ...
... poetic faculty and the productive intuition are identified , and that which is active in both , that one and the same , declared to be the imagination : but this appears to be the crown and comple- tion of a system already laid down ...
Sida xxxii
... poetic wreath itself . " It is thus that two couplets , exemplifying the Homeric and Ovidian metres , * are ... poet whose evinced themselves in his early boyhood , and which had been only modified , and indirectly shaped and developed ...
... poetic wreath itself . " It is thus that two couplets , exemplifying the Homeric and Ovidian metres , * are ... poet whose evinced themselves in his early boyhood , and which had been only modified , and indirectly shaped and developed ...
Sida xxxiii
... poetic wreath than the pair of distiches ; in these he is said to have closely adopted the metre , language , and thoughts of another man . Now the metre , language , and thoughts of Stolberg's poem are all in Coleridge's expansion of ...
... poetic wreath than the pair of distiches ; in these he is said to have closely adopted the metre , language , and thoughts of another man . Now the metre , language , and thoughts of Stolberg's poem are all in Coleridge's expansion of ...
Sida cxviii
... poet is , in my opinion , far better employed in perfecting an ode , if it be worth writing at all , or conforming a ... Poet and Philosopher best understand the Philo- sophic Poet his Friend . Let them not be contrasted , but set side ...
... poet is , in my opinion , far better employed in perfecting an ode , if it be worth writing at all , or conforming a ... Poet and Philosopher best understand the Philo- sophic Poet his Friend . Let them not be contrasted , but set side ...
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The Complete Works of Samuel Taylor Coleridge: With an Introductory ..., Volym 3 Samuel Taylor Coleridge Obegränsad förhandsgranskning - 1854 |
The Complete Works of Samuel Taylor Coleridge: With an Introductory ..., Volym 3 Samuel Taylor Coleridge Obegränsad förhandsgranskning - 1858 |
The Complete Works of Samuel Taylor Coleridge: With an Introductory ..., Volym 3 Samuel Taylor Coleridge Obegränsad förhandsgranskning - 1854 |
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admiration Antinomianism appear Archdeacon Hare Aristotle beautiful believe Biographia Literaria called cause character Christ Christian Church Coleridge's criticism divine doctrine edition effect English Essay expression eyes faith fancy Father feelings Fichte former genius German ground heart honor human ideas images imagination intellectual Irenæus Kant Kotzebue language least Leibnitz less letter light lines literary Luther Lyrical Ballads Maasz Malebranche means metaphysical metre Milton mind moral Morning Post nature never notion object opinion original outward Pantheism passage perhaps persons philosophy Pindar Plato poems poet poetic poetry present principles produced prose published Ratzeburg reader reason religion religious remarks S. T. COLERIDGE says Schelling Schelling's seems sense Shakspeare Solifidian sonnets soul speak Spinoza spirit stanza style suppose things thou thought tion translated true truth verse whole words Wordsworth writings written καὶ τὸ
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Sida 197 - That time is past, And all its aching joys are now no more, And all its dizzy raptures. Not for this Faint I, nor mourn, nor murmur ; other gifts Have followed ; for such loss, I would believe, Abundant recompense.
Sida 151 - For not to think of what I needs must feel, But to be still and patient, all I can; And haply by abstruse research to steal From my own nature all the natural man — This was my sole resource, my only plan : Till that which suits a part infects the whole, And now is almost grown the habit of my soul.
Sida 372 - ... reveals itself in the balance or reconciliation of opposite or discordant qualities: of sameness, with difference; of the general, with the concrete; the idea, with the image; the individual, with the representative; the sense of novelty and freshness, with old and familiar objects; a more than usual state of emotion, with more than usual order; judgement ever awake and steady self-possession, with enthusiasm and feeling profound or vehement...
Sida 372 - The poet, described in ideal perfection, brings the whole soul of man into activity, with the subordination of its faculties to each other, according to their relative worth and dignity. He diffuses a tone and spirit of unity that blends, and (as it were) fuses, each into each, by that synthetic and magical power to which we have exclusively appropriated the name of imagination.
Sida 491 - The floating clouds their state shall lend To her; for her the willow bend; Nor shall she fail to see Even in the motions of the Storm Grace that shall mould the Maiden's form By silent sympathy.
Sida 497 - Not for these I raise The song of thanks and praise; But for those obstinate questionings Of sense and outward things, Fallings from us, vanishings; Blank misgivings of a Creature Moving about in worlds not realized, High instincts before which our mortal Nature Did tremble like a guilty thing surprised...
Sida 364 - I hoped, might be of some use to ascertain, how far, by fitting to metrical arrangement a selection of the real language of men in a state of vivid sensation, that sort of pleasure and that quantity of pleasure may be imparted, which a Poet may rationally endeavour to impart.
Sida 362 - DURING the first year that Mr. Wordsworth and I were neighbours, our conversations turned frequently on the two cardinal points of poetry, the power of exciting the sympathy of the reader by a faithful adherence to the truth of nature, and the power of giving the interest of novelty by the modifying colours of imagination.
Sida 362 - I consider as an echo of the former, co-existing with the conscious will, yet still as identical with the primary in the kind of its agency, and differing only in degree and in the mode of its operation. It dissolves, diffuses, dissipates, in order to recreate; or where this process is rendered impossible, yet still at all events it Struggles to idealize and to unify. It is essentially vital, even as all objects (as objects) are essentially fixed and dead.
Sida 399 - Had climbed with vigorous steps ; which had impressed So many incidents upon his mind Of hardship, skill or courage, joy or fear; Which like a book preserved the memory Of the dumb animals, whom he had saved, Had fed or sheltered, linking to such acts...