Your eyes are lode-ftars; and your tongue's sweet air O, teach me how you look; and with what art You fway the motion of Demetrius' heart. Her. I frown upon him, yet he loves me ftill. Hel. Oh, that your frowns would teach my smiles fuch fkill! Her. I give him curfes, yet he gives me love. Hel. Oh, that my prayers could fuch affection move! Hel. None but your beauty: 'Would that fault were Her. Take comfort; he no more fhall fee my face; O then, what graces in my love do dwell, Lyf. Helen, to you our minds we will unfold: "Her. And in the wood, where often you and I Keep Keep word, Lyfander: we must ftarve our fight Lyf. I will, my Hermia.-Helena, adieu: [Exit HERM. [Exit Lys, Hel. How happy fome, o'er otherfome can be! Things bafe and vile, holding no quantity, Love looks not with the eyes, but with the mind; SCENE II. A Cottage. [Exit. Enter QUINCE the Carpenter, SNUG the Joiner, BOTTOM the Weaver, FLUTE the Bellows-Mender, SNOUT the Tinker, and STARVELING the Taylor. Quin. Is all our company here? Bot. You were beft to call them generally, man by man, according to the fcrip. Quin. Here is the fcrowl of every man's name, which is thought fit, through all Athens, to play in our inter lude lude before the duke and dutchefs, on his wedding-day at night. Bot. Firft, good Peter Quince, fay what the play treats on; then read the names of the actors; and fo grow to a point. Quin. Marry our play is-The moft lamentable comedy, and most cruel death of Pyramus and Thisby. Bot. A very good piece of work, I affure you, and a merry.-Now, good Peter Quince, call forth your actors by the fcrowl: Mafters, fpread yourselves. : Quin. Anfwer as I call you.-Nick Bottom the weaver. Bot. Ready Name what part I am for, and proceed. Quin. You, Nick Bottom, are fet down for Pyramus. Bot. What is Pyramus? a lover, or a tyrant? Quin. A lover that kills himself moft gallantly for love. Bot. That will ask some tears in the true performing of it: If I do it, let the audience look to their eyes; I willmove ftorms, I will condole in fome meafure. To the reft:-Yet my chief humour is for a tyrant: I could play Ercles rarely, or a part to tear a cat in, to make all split. "The raging rocks, "And fhivering fhocks, "Shall break the locks "Of prifon-gates; "And Phibbus' car "Shall fhine from far, «And make and mar "The foolish fates." This was lofty!-Now name the rest of the players.-This is Ercles' vein, a tyrant's vein; a lover is more condoling. Quin. Francis Flute, the bellows-mender. Flu. Here, Peter Quince. Quin. You must take Thisby on you. Flu. What is Thisby? a wandering knight? Quin. It is the lady that Pyramus must love. Flu. Nay, faith, let me not play a woman; I have a beard coming. Quin. That's all one; you fhall play it in a mask, and you may speak as fmall as you will. Bot Bot. An I may hide my face, let me play Thisby too: I'll speak in a monftrous little voice ;-Thifne, Thifne,-Ah, Pyramus, my lover dear; thy Thisby dear! and lady dear! Quin. No, no; you must play Pyramus, and, Flute, you Thilby. Bot. Well, proceed. Quin. Robert Starveling, the taylor, Star. Here, Peter Quince. Quin. Robin Starveling, you must play Thisby's mother. -Tom Snout, the tinker. Snou. Here, Peter Quince. Quin. You, Pyramus's father; myself Thisby's father; -Snug, the joiner, you the lion's part:-and, I hope, there is a play fitted. Snug. Have you the lion's part written? pray you, if it be, give it me, for I am flow of study. Quin. You may do it extempore, for it is nothing but roaring. Bot. Let me play the lion too: I will roar, that I will do any man's heart good to hear me; I will roar, that I will make the duke fay, Let him roar again, let him roar again. Quin. An you should do it too terribly, you would fright the dutchefs and the ladies, that they would fhriek; and that were enough to hang us all. All. That would hang us every mother's fon. Bot. I grant you, friends, if that you should fright the ladies out of their wits, they would have no more discretion but to hang us; but I will aggravate my voice fo, that I will roar you as gently as any fucking dove; I will roar you an 'twere any nightingale, Quin. You can play no part but Pyramus: for Pyramus is a fweet-fac'd man; a proper man, as one shall fee in a summer's day; a moft lovely gentleman-like man; therefore you must needs play Pyramus. Bot. Well, I will undertake it. What beard were I best to play it in? Quin. Why, what you will. Bot. I will discharge it in either your ftraw-coloured beard, your orange-tawny beard, your purple-in-grain beard, or your French crown-colour beard, your perfect yellow. 7 Quin. Quin. Some of your French crowns have no hair at all, and then you will play bare-fac'd.-But, masters, here are your parts and I am to entreat you, request you, and defire you, to con them by to-morrow night; and meet me in the palace wood, a mile without the town, by moonlight; there will we rehearse: for if we meet in the city, we shall be dog'd with company, and our devices known. In the mean time, I will draw a bill of properties, such as our play wants. I pray you, fail me not. Bot. We will meet; and there we may rehearse more obfcenely, and courageously. Take pains; be perfect; adieu. Quin. At the duke's oak we meet. Bot. Enough; hold, or cut bow-ftrings. ACT II. SCENE I. A Wood. [Exeunt. Enter a Fairy at one door, and PUCK (or ROBIN-GOOD FELLOW) at another. Puck. How now, fpirit! whither wander you? Fai. Over hill, over dale, Thorough bush, thorough briar, Thorough flood, thorough fire, Puck. The king doth keep his revels here to-night; For |