Tragic Plots: A New Reading from Aeschylus to LorcaAshgate, 2000 - 248 sidor Rosslyn (English, U. of Leicester) traces the central stream of feeling in tragic drama across time and cultural barriers, particularly looking at what the audience needs expressed and what the artist does to meet that need. Though the plays themselves provide the evidence, and the plots reveal which problems the audience is most preoccupied with, she warns that scholars must be alive to the difference between what they say they are about, what they think they are about, and what audiences sense they really are about. The playwright, she says, may be as unclear as everyone else about the real motive for writing. Annotation copyrighted by Book News Inc., Portland, OR |
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Sida 175
... ask him for money ; and she reproaches him , not for what he feels , but for forcing their relationship out of its useful ambiguity . When he asks her whether she did not already know , she says , ' How can I tell whether I did or didn ...
... ask him for money ; and she reproaches him , not for what he feels , but for forcing their relationship out of its useful ambiguity . When he asks her whether she did not already know , she says , ' How can I tell whether I did or didn ...
Sida 189
... asks about Little Eyolf's digestion and goes to bed ( p . 238 ) . Driven to more and more open demands , Rita seems more and more voracious . But Ibsen shows that it is the desperate evasiveness of Allmers that is making her so : ' I ...
... asks about Little Eyolf's digestion and goes to bed ( p . 238 ) . Driven to more and more open demands , Rita seems more and more voracious . But Ibsen shows that it is the desperate evasiveness of Allmers that is making her so : ' I ...
Sida 237
A New Reading from Aeschylus to Lorca Felicity Rosslyn. though he asks them three times in rising desperation , ' Yes or no . Just one single word ' ( p . 260 ) . Gayev is distracted by embarrassing memories of talking too much to the ...
A New Reading from Aeschylus to Lorca Felicity Rosslyn. though he asks them three times in rising desperation , ' Yes or no . Just one single word ' ( p . 260 ) . Gayev is distracted by embarrassing memories of talking too much to the ...
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Tragic Plots: A New Reading from Aeschylus to Lorca Felicity Rosslyn Begränsad förhandsgranskning - 2018 |
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Aegisthus Aeschylus Agamemnon Allmers Alving Antigone Aphrodite Apollo Apollonian Athenian Athens audience Bacchants becomes Bernarda blood body bonds brings characters Chekhov child classical Clytaemnestra consciousness context Coriolanus Creon crime daughters dead death Desdemona Dionysiac Dionysus drama earth Electra Eumenides Euripides Eyolf father Faustus fear Federico García Lorca feel female Furies Gayev gives goddess gods Greek Hamlet hero heroic Hippolytus honour horror human husband Iago Ibsen incest individual issue Jason justice killed kind king Lear Little Eyolf live Lorca Macbeth Machiavel male Marlowe marriage masculine means Medea mother murder nature never Nora Oedipus Oresteia Orestes Othello passion Pentheus perhaps Phaedra play plot polis punishment Renaissance repr revenge Rita role says scene seems sense sexual Shakespeare shows Sophocles Strindberg T.S. Eliot takes tell terrible Thebes things Torvald tragedy tragic trans truth wife woman women Yerma Zeus