The Lost Rib: Female Characters in the Spanish-American NovelBucknell University Press, 1985 - 227 sidor This study focuses on three basic questions: (1) Why is the Spanish-American novel nearly devoid of memorable female protagonists? (2) How do the novels portray their female characters? and (3) Why do even those novels whose titles promise female protagonists ultimately focus on other topics and characters? |
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Resultat 1-3 av 19
Sida 45
... Santos and Lorenzo . In this sense , the female character here , as in romanticism , does little more than provide the dramatic stimulus and background against which the hero can perform his virtuous deeds and reign supreme . In this ...
... Santos and Lorenzo . In this sense , the female character here , as in romanticism , does little more than provide the dramatic stimulus and background against which the hero can perform his virtuous deeds and reign supreme . In this ...
Sida 46
... Santos's endeavor and thus its close affiliation with Cova's undertaking . Ultimately , of course , the situation Santos seeks is as nonex- istent in Europe as in the New World , but he tries , nevertheless , to impose just this ...
... Santos's endeavor and thus its close affiliation with Cova's undertaking . Ultimately , of course , the situation Santos seeks is as nonex- istent in Europe as in the New World , but he tries , nevertheless , to impose just this ...
Sida 47
... Santos's veritable objective is again wrapped in layers of dis- tracting language when the text notes , " lo ... Santos's efforts , the property ( El Miedo ) has been returned to its rightful owner : Marisela . Nevertheless , by virtue ...
... Santos's veritable objective is again wrapped in layers of dis- tracting language when the text notes , " lo ... Santos's efforts , the property ( El Miedo ) has been returned to its rightful owner : Marisela . Nevertheless , by virtue ...
Innehåll
Acknowledgments | 7 |
Reading the Writing in Jorge Isaacss María | 19 |
In Mans Image Created Doña Bárbara | 38 |
Upphovsrätt | |
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Vanliga ord och fraser
absence Agata already appears Artemio Cruz authority barbarism baroque Berto blank boys Carlos Fuentes Chapter chess chonchón ciudad civilization Claude Lévi-Strauss cogía course Cova Cova's created creation death discourse dogs Doña Bárbara Efraín ellipsis embroidery emphasis added énoncé énonciation fact father female characters feminine fiction gato eficaz hombre implies innocent insofar Jaguar Jerónimo Jorge Isaacs José Donoso Juan La traición La vorágine language leitmotif linguistic love story male Manuel Puig María Mario Vargas Llosa masculine metaphor Mita monologue mother muerte mujer myth narrator nature negates never Nicanor noche noted notion novel obsceno pájaro paradoxically Pedro Páramo perhaps perros portrayal portrayed presumably protagonist Puig quotation reader reading recognize referent reflects relationship Rita Hayworth rite role sacrifice Santos sexual significant Significantly Similarly Snow White suggests supplement symbol tion Toto Toto's ultimately underlines Valenzuela violence vorágine witch woman women words writing
Hänvisningar till den här boken
Reclaiming the Author: Figures and Fictions from Spanish America Lucille Kerr Begränsad förhandsgranskning - 1992 |
Escritoras argentinas contemporáneas Gustavo C. Fares,Eliana Hermann Fragmentarisk förhandsgranskning - 1993 |