Shakespearean Criticism YearbookMichele Lee Gale Research International, Limited, 1998 - 420 sidor Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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... Othello famously begins not with Othello but with Iago . Other tragedies begin with ancillary figures comment- ing on the character who will turn out to be at the center of the tragedy — one thinks of Lear , Macbeth , Antony and ...
... Othello famously begins not with Othello but with Iago . Other tragedies begin with ancillary figures comment- ing on the character who will turn out to be at the center of the tragedy — one thinks of Lear , Macbeth , Antony and ...
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... Othello's black skin Iago can find a fortuitous external sign for the entire process , or , more accurately , a ... Othello , blackening him with his own inner waste . Iago plainly needs an Othello who can carry the bur- den of his own ...
... Othello's black skin Iago can find a fortuitous external sign for the entire process , or , more accurately , a ... Othello , blackening him with his own inner waste . Iago plainly needs an Othello who can carry the bur- den of his own ...
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... Othello , and then allowing the Venetians ( and most members of the audience ) to con- gratulate themselves - as he does - on their distance . from the now - racialized Othello . Through this pro- cess , Othello becomes assimilated to ...
... Othello , and then allowing the Venetians ( and most members of the audience ) to con- gratulate themselves - as he does - on their distance . from the now - racialized Othello . Through this pro- cess , Othello becomes assimilated to ...
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Hotspur and the Discourse of Honor | 101 |
Paula Blank Speaking Freely about Richard II | 120 |
Maurice Hunt Shakespeares King Richard III and the Problematics of Tudor Bastardy | 132 |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volym 28 Fragmentarisk förhandsgranskning - 1984 |
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action Angelo Antipholus argues audience Aufidius bastardy becomes body Bolingbroke calls character Comedy of Errors consolation context Coppélia Coriolanus critics death Desdemona desire discourse Dollimore domestic dramatic Dromio Duke Duke's Edward Elizabethan Emilia England English erotic essay Falstaff fantasy female gender grotesque Hamlet hath Henry Henry IV Hermione Hermione's Hippolyta honor Hotspur human Iago Iago's identity imagination King lago language Leontes lines London lover Macbeth male Marcius marriage means metaphor Montaigne mother nature Neoplatonic Noble Kinsmen Oberon Othello Pericles play's poem political Press production Prospero queen reading relation Renaissance rhetorical Richard Richard II role scene seems sense sexual Shake Shakespeare Shakespeare's play Silvia Sinfield social sonnets speak speaker speare speare's speech stage story suggests tells Tempest theatrical thee Theseus thou tion Titania tragedy Troilus and Cressida Twelfth Night voice Winter's Tale woman women words York