Contexts for CriticismDonald Keesey Mayfield Publishing Company, 1998 - 594 sidor In this introduction to literary criticism, the major critical theories of literary interpretation-- historical, formal, reader-response, mimetic, intertextual, poststructural, and new historical-- are presented in separate chapters that include detailed introductions, theoretical essays that explain and argue the value of each theory, and applications essays in which the theories are applied to the same three literary works: William Shakespeare' s The Tempest, Kate Chopin' s The Awakening, and William Wordsworth' s Ode: Intimations of Immortality. Wordsworth' s and Chopin' s works are included in the book. |
Från bokens innehåll
Resultat 1-3 av 81
Sida 68
... become aware that Edna is behaving strangely upon the family's re- turn to New Orleans , her father remarks to Leonce : You are too lenient , too lenient by far . ... Authority , coercion are what is needed . Put your foot down good and ...
... become aware that Edna is behaving strangely upon the family's re- turn to New Orleans , her father remarks to Leonce : You are too lenient , too lenient by far . ... Authority , coercion are what is needed . Put your foot down good and ...
Sida 266
... become its own ob- ject : to become , in fact , related directly only to itself . Its cardinal functions become phantasy and observa- tion . Now , in so far as this is successful , one neces- sary consequence is that the self has ...
... become its own ob- ject : to become , in fact , related directly only to itself . Its cardinal functions become phantasy and observa- tion . Now , in so far as this is successful , one neces- sary consequence is that the self has ...
Sida 456
... become vices if the recognition of one's supposedly " inescapable " biases becomes an excuse not to try to escape them . More seriously , if we are really in thrall to our own per- spective , we can't really " do " history at all ...
... become vices if the recognition of one's supposedly " inescapable " biases becomes an excuse not to try to escape them . More seriously , if we are really in thrall to our own per- spective , we can't really " do " history at all ...
Innehåll
General Introduction | 1 |
Author as Context | 9 |
Hirsch Jr Objective Interpretation 725 | 17 |
Upphovsrätt | |
44 andra avsnitt visas inte
Andra upplagor - Visa alla
Vanliga ord och fraser
Adèle aesthetic answer Aphrodite argue Arobin audience Awakening become Caliban called character Chopin claim coherence complex concept context conventions cultural deconstruction defined discourse Edna Edna's essay example experience fact feel feminist fiction formal formalist genre Grand Isle human ideology interpretation interpretive community intertextual Kate Chopin Kenneth Burke kind language Lebrun linguistic literary criticism literature look Madame Ratignolle Mademoiselle Reisz meaning ment metaphor metonymy mimetic mind moral narrative nature never Northrop Frye novel object particular perspective play poem poem's poet poetic poetry political Pontellier poststructural poststructuralist Press problem Prospero question reader reader-response reader-response critics reading reality relation response rhetorical Robert seems self-ownership sense Shakespeare simply social speak stanza structuralist structure suggests symbolic Tempest textual theme theory things thought tion truth ture University W. K. Wimsatt woman women words Wordsworth writing
Hänvisningar till den här boken
Token Professionals and Master Critics: A Critique of Orthodoxy in Literary ... James J. Sosnoski Begränsad förhandsgranskning - 1994 |
A literatura alemã nos trópicos: uma aclimatação do cânone nas universidades ... Cláudia Sibylle Dornbusch Begränsad förhandsgranskning - 2005 |