Contexts for CriticismDonald Keesey Mayfield Publishing Company, 1998 - 594 sidor In this introduction to literary criticism, the major critical theories of literary interpretation-- historical, formal, reader-response, mimetic, intertextual, poststructural, and new historical-- are presented in separate chapters that include detailed introductions, theoretical essays that explain and argue the value of each theory, and applications essays in which the theories are applied to the same three literary works: William Shakespeare' s The Tempest, Kate Chopin' s The Awakening, and William Wordsworth' s Ode: Intimations of Immortality. Wordsworth' s and Chopin' s works are included in the book. |
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Sida 93
... fact that Morgann could devote a book to arguing that Falstaff is not a coward , that lately Professor Wilson has argued that at Gadshill Falstaff may exhibit , " ' all the common symptoms of the malady ' of cowardice " and at the same ...
... fact that Morgann could devote a book to arguing that Falstaff is not a coward , that lately Professor Wilson has argued that at Gadshill Falstaff may exhibit , " ' all the common symptoms of the malady ' of cowardice " and at the same ...
Sida 161
... fact , but owing to its nonreferentiality this concept shows how indispensable the reader is to the formulation of the stylistic fact . Now even the superreader , as a collective term for a group of readers , is not proof against error ...
... fact , but owing to its nonreferentiality this concept shows how indispensable the reader is to the formulation of the stylistic fact . Now even the superreader , as a collective term for a group of readers , is not proof against error ...
Sida 322
... Fact , Theory , and Literary Explanation " : Hypothesis - interpretive assumption— does not follow from the observation of fact but necessarily precedes and structures it , so that agreement be- tween hypothesis and fact is to some ...
... Fact , Theory , and Literary Explanation " : Hypothesis - interpretive assumption— does not follow from the observation of fact but necessarily precedes and structures it , so that agreement be- tween hypothesis and fact is to some ...
Innehåll
General Introduction | 1 |
Author as Context | 9 |
Hirsch Jr Objective Interpretation 725 | 17 |
Upphovsrätt | |
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Adèle aesthetic answer Aphrodite argue Arobin audience Awakening become Caliban called character Chopin claim coherence complex concept context conventions cultural deconstruction defined discourse Edna Edna's essay example experience fact feel feminist fiction formal formalist genre Grand Isle human ideology interpretation interpretive community intertextual Kate Chopin Kenneth Burke kind language Lebrun linguistic literary criticism literature look Madame Ratignolle Mademoiselle Reisz meaning ment metaphor metonymy mimetic mind moral narrative nature never Northrop Frye novel object particular perspective play poem poem's poet poetic poetry political Pontellier poststructural poststructuralist Press problem Prospero question reader reader-response reader-response critics reading reality relation response rhetorical Robert seems self-ownership sense Shakespeare simply social speak stanza structuralist structure suggests symbolic Tempest textual theme theory things thought tion truth ture University W. K. Wimsatt woman women words Wordsworth writing
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Token Professionals and Master Critics: A Critique of Orthodoxy in Literary ... James J. Sosnoski Begränsad förhandsgranskning - 1994 |
A literatura alemã nos trópicos: uma aclimatação do cânone nas universidades ... Cláudia Sibylle Dornbusch Begränsad förhandsgranskning - 2005 |