Contexts for CriticismDonald Keesey Mayfield Publishing Company, 1998 - 594 sidor In this introduction to literary criticism, the major critical theories of literary interpretation-- historical, formal, reader-response, mimetic, intertextual, poststructural, and new historical-- are presented in separate chapters that include detailed introductions, theoretical essays that explain and argue the value of each theory, and applications essays in which the theories are applied to the same three literary works: William Shakespeare' s The Tempest, Kate Chopin' s The Awakening, and William Wordsworth' s Ode: Intimations of Immortality. Wordsworth' s and Chopin' s works are included in the book. |
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Sida 27
... final complex " intention . " The " speaking subject " may be defined as the final and most comprehensive level of aware- ness determinative of verbal meaning . In the case of a lie the speaking subject assumes that he tells the truth ...
... final complex " intention . " The " speaking subject " may be defined as the final and most comprehensive level of aware- ness determinative of verbal meaning . In the case of a lie the speaking subject assumes that he tells the truth ...
Sida 103
... final sections , as he de- fines to himself the outlines of the artistic task which is to usurp his maturity . A highly self - conscious use of style and method defines the quality of experience in each of these sec- tions , and , it is ...
... final sections , as he de- fines to himself the outlines of the artistic task which is to usurp his maturity . A highly self - conscious use of style and method defines the quality of experience in each of these sec- tions , and , it is ...
Sida 129
... final stanza : " Yet in my heart of hearts I feel your might , " " I love the Brooks ... even more " ; " thanks to the human heart by which we live . " To end his poem , Wordsworth must place thought and feel- ing in some final and ...
... final stanza : " Yet in my heart of hearts I feel your might , " " I love the Brooks ... even more " ; " thanks to the human heart by which we live . " To end his poem , Wordsworth must place thought and feel- ing in some final and ...
Innehåll
General Introduction | 1 |
Author as Context | 9 |
Hirsch Jr Objective Interpretation 725 | 17 |
Upphovsrätt | |
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Adèle aesthetic answer Aphrodite argue Arobin audience Awakening become Caliban called character Chopin claim coherence complex concept context conventions cultural deconstruction defined discourse Edna Edna's essay example experience fact feel feminist fiction formal formalist genre Grand Isle human ideology interpretation interpretive community intertextual Kate Chopin Kenneth Burke kind language Lebrun linguistic literary criticism literature look Madame Ratignolle Mademoiselle Reisz meaning ment metaphor metonymy mimetic mind moral narrative nature never Northrop Frye novel object particular perspective play poem poem's poet poetic poetry political Pontellier poststructural poststructuralist Press problem Prospero question reader reader-response reader-response critics reading reality relation response rhetorical Robert seems self-ownership sense Shakespeare simply social speak stanza structuralist structure suggests symbolic Tempest textual theme theory things thought tion truth ture University W. K. Wimsatt woman women words Wordsworth writing
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Token Professionals and Master Critics: A Critique of Orthodoxy in Literary ... James J. Sosnoski Begränsad förhandsgranskning - 1994 |
A literatura alemã nos trópicos: uma aclimatação do cânone nas universidades ... Cláudia Sibylle Dornbusch Begränsad förhandsgranskning - 2005 |