An Essay on English Poetry: With Notices of the British PoetsJ. Murray, 1848 - 436 sidor |
Från bokens innehåll
Resultat 1-5 av 100
Sida 9
... character , for fear of assuming too much , let it be admitted that we have no extant specimens of rhyme in our language before the Conquest . One stanza of a ballad shall indeed be mentioned , as an exception to this , which may be ...
... character , for fear of assuming too much , let it be admitted that we have no extant specimens of rhyme in our language before the Conquest . One stanza of a ballad shall indeed be mentioned , as an exception to this , which may be ...
Sida 18
... character of a work of imagi- nation than Layamon's version of Wace , which preceded it by a hundred years . One would not imagine , from Robert of Gloucester's style , that he belonged to a period when a single effusion of sentiment ...
... character of a work of imagi- nation than Layamon's version of Wace , which preceded it by a hundred years . One would not imagine , from Robert of Gloucester's style , that he belonged to a period when a single effusion of sentiment ...
Sida 21
... character of a true poet than his predecessor , he is certainly a smoother versifier , and evinces more facility in rhyming . It is amusing to find his editor , Hearne , so anxious to defend the moral memory of a writer , respecting ...
... character of a true poet than his predecessor , he is certainly a smoother versifier , and evinces more facility in rhyming . It is amusing to find his editor , Hearne , so anxious to defend the moral memory of a writer , respecting ...
Sida 25
... character of an original writer , affirms directly the reverse . It is clear that in the writer's opinion the earliest and most authentic narrative of Tristrem's story was to be found in the work of Breri . From his relation later ...
... character of an original writer , affirms directly the reverse . It is clear that in the writer's opinion the earliest and most authentic narrative of Tristrem's story was to be found in the work of Breri . From his relation later ...
Sida 28
... character displayed its first intellectual boldness . It is true that the history of the times presents a striking contrast between the light of in- telligence which began to open on men's minds , and the frightful evils which were ...
... character displayed its first intellectual boldness . It is true that the history of the times presents a striking contrast between the light of in- telligence which began to open on men's minds , and the frightful evils which were ...
Andra upplagor - Visa alla
An Essay on English Poetry; with notices of the British poets. [Edited by ... Thomas Campbell Obegränsad förhandsgranskning - 1848 |
An Essay on English Poetry; with notices of the British poets. [Edited by ... Thomas Campbell Obegränsad förhandsgranskning - 1848 |
An Essay on English Poetry; with Notices of the British Poets. New Ed Thomas Campbell Obegränsad förhandsgranskning - 1861 |
Vanliga ord och fraser
admiration afterwards amidst amusing ancient appear ballad beauty Ben Jonson biographer Born century certainly character Chaucer church circumstances comedy court Cowper Creusa death Died drama Dryden Earl eclogues Edinburgh edition England English English poetry entitled exhibits expression fancy father feeling fiction Fletcher French gave genius Gorboduc grace Henry honour humour imagination imitation interest Jonson Joseph Warton King Lady language Layamon letters literary lived London Lord manners married Milton mind Mirror for Magistrates moral Muse native nature night Oxford passage passion period pieces poem poet poet's poetical poetry Pope probably prose published Queen racter reign returned rhyme Robert of Gloucester romance satire Saxon says scene Scotland Scottish seems Shakspeare Sir Walter Scott Spenser spirit story style supposed Surrey taste Thomas Thomas Warton thought tion tragedy translation verse versifier Warton William writer written wrote Xuthus
Populära avsnitt
Sida 111 - He scarce had ceased, when the superior fiend Was moving toward the shore: his ponderous shield, Ethereal temper, massy, large, and round, Behind him cast; the broad circumference Hung on his shoulders like the moon, whose orb Through optic glass the Tuscan artist views, At evening, from the top of Fesole, Or in Valdarno, to descry new lands, Rivers, or mountains, in her spotty globe.
Sida 112 - Farewell the tranquil mind ! Farewell content ! Farewell the plumed troop, and the big wars, That make ambition virtue ! O, farewell ! Farewell the neighing steed, and the shrill trump, The spirit-stirring drum, the ear-piercing fife, The royal banner ; and all quality. Pride, pomp, and circumstance of glorious war ! And O, you mortal engines, whose rude throats The immortal Jove's dread clamours counterfeit, Farewell ! Othello's occupation's gone ! lago.
Sida 114 - But clear and artless pouring through the plain Health to the sick, and solace to the swain. Whose causeway parts the vale with shady rows ? Whose seats the weary traveller repose ? Who taught that heaven-directed spire to rise ? " The Man of Ross," each lisping babe replies. Behold the market-place with poor o'erspread ! The Man of Ross...
Sida 397 - To gild refined gold, to paint the lily, To throw a perfume on the violet, To smooth the ice, or add another hue Unto the rainbow, or with taper-light To seek the beauteous eye of heaven to garnish, Is wasteful, and ridiculous excess.
Sida 67 - I cannot say he is everywhere alike; were he so, I should do him injury to compare him with the greatest of mankind. He is many times flat, insipid; his comic wit degenerating into clenches, his serious swelling into bombast. But he is always great when some great occasion is presented to him; no man can say he ever had a fit subject for his wit, and did not then raise himself as high above the rest of poets *Quantum lenta solent inter viburna cupressi.
Sida 115 - All things are hush'd as Nature's self lay dead, The mountains seem to nod their drowsy head : The little birds in dreams their songs repeat, And sleeping flowers beneath the night dews sweat. Even lust and envy sleep...
Sida 112 - Idalia's velvet-green has something of cant. An epithet or metaphor drawn from Nature ennobles Art; an epithet or metaphor drawn from Art degrades Nature.
Sida 96 - GATHER ye rosebuds while ye may, Old Time is still a-flying; And this same flower that smiles to-day, To-morrow will be dying. The glorious lamp of heaven, the sun, The higher he's a-getting, The sooner will his race be run, And nearer he's to setting. That age is best which is the first, When youth and blood are warmer; But being spent, the worse and worst Times still succeed the former.
Sida 328 - His best companions, innocence and health; And his best riches, ignorance of wealth. But times are alter'd; trade's unfeeling train Usurp the land and dispossess the swain; Along the lawn, where scatter'd hamlets rose, Unwieldy wealth and cumbrous pomp repose; And every want to luxury allied, And every pang that folly pays to pride.
Sida 114 - What modes of sight betwixt each wide extreme, The mole's dim curtain and the lynx's beam ! Of smell, the headlong lioness between And hound sagacious on the tainted green ! Of hearing, from the life that fills' the flood To that which warbles through the vernal wood ! The spider's touch, how exquisitely fine ! Feels at each thread, and lives along the line...