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enthusiasm for the work. A public road divides the mansion and pleasaunce from the main body of the park and wood. The house stands near the edge of the wooded bank, sloping down towards the Tweed. A pious pride has been taken in preserving the whole building as it was in Scott's time. The armour and weapons of all kinds are all in their old array; the same pictures hang on the walls; the books are ranged in the order familiar to the master's hand; and even the lounging-coat, the hat, walking-shoes, and staff are ready in their places. Passing through a porch, you enter the hall, which, with its stained glass, trophies of armour, blazonry of Border heroes, "who keepit the marchys of Scotland in the auld time for the kinge," and lozenge pavement of black and white marble, is the finest part of the house. A narrow, low-arched room, running quite across the building, and filled with more armour and other curiosities, leads to the drawing-room on one side, and the dining-room on the other. The latter is a handsome chamber, with a low, richly-carved roof of dark oak, spacious bowwindow, and numerous valuable and interesting pictures, such as the head of Mary Queen of Scots in a charger, painted by Amias Cawood the day after her decapitation; portraits of old "Beardie," Lucy Walters, the Duchess of Buccleuch, to whom the Minstrel is supposed to chant his Lay, &c. The drawing-room is panelled with cedar, and fitted with_antique ebony furniture, quaint, richly carved cabinets and precious china ware. In a pleasant breakfast-room, overlooking the river, there are some good pictures by Turner, Thomson of Duddingstone, and others. The library is the largest room of the house. Some 70,000 vols. crowd its shelves. From this opens Sir Walter's private study-a snug little chamber, with no furniture, except a sïnall writing-table, a plain arm-chair, covered with black leather, and another smaller chair-clearly indicating it as a place for work, not company. There are a few books on each side of the fire-place, and a sort of supplemental library in a gallery which runs round three sides of the room. closet are preserved, under a glass case, the clothes Sir Walter wore just before his death a broad-skirted green coat, with large buttons, plaid trousers, heavy shoes, broad-brimmed hat, and stout walking-stick. The relics set one thinking of the old man's last days in the house of which he was so proud, the kindly placid figure wheeled about, with all the dogs round him, in a chair, up and down the hall and library, saying, "Ah, I've seen much, but nothing like my ain house-give me one turn more.' Much of the decoration of the house is of ancient design, some borrowed from Melrose, some from Dumfermline, Linlithgow, and Roslin. Even portions of various old edifices are worked into the building. Within the estate is the scene of the last great clan battle of the Borders, that fought in 1526 between the Earls of Angus and Home, backed the former by the Kerrs, and the other by Buccleuch. Mr. Hope Scott, Q.C. who married Scott's granddaughter, has inherited the property.

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The success of the Lay was beyond the most sanguine expectations of Scott's most enthusiastic admirers. In the preface of 1830, he himself estimated the sale at upwards of 30,000 copies; but Lockhart tells us that this was an underestimate, and that in twenty-five years no fewer than 44,000 copies had been disposed of an event with few parallels in the history of British poetry. The first edition, a magnificent quarto, of which 750 copies were printed, was quickly exhausted; eleven octavo editions, a small quarto, and a foolscap edition followed in rapid succession.

THE LAY OF THE LAST MINSTREL.

INTRODUCTION.

THE way was long, the wind was cold,

The Minstrel was infirm and old;
His wither'd cheek, and tresses grey,
Seem'd to have known a better day;
The harp, his sole remaining joy,
Was carried by an orphan boy.
The last of all the Bards was he,
Who sung of Border chivalry;
For, welladay! their date was fled,
His tuneful brethren all were dead;
And he, neglected and oppress'd
Wish'd to be with them, and at rest.
No more on prancing palfrey borne,
He caroll'd,light as lark at morn;
No longer courted and caress'd,
High placed in hall, a welcome guest,
He pour'd, to lord and lady gay,
The unpremeditated lay:

Old times were changed, old manners gone;

stranger fill'd the Stuarts' throne; The bigots of the iron time

Had call'd his harmless art a crime.,
A wandering Harper, scorn'd and poor,
He begg'd his bread from door to door,
And tuned, to please a peasant's ear,
The harp, a king had loved to hear.

He pass'd where Newark's stately

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The Duchess* mark'd his weary pace,
His timid mien, and reverend face,
And bade her page the menials tell,
That they should tend the old man well :
For she had known adversity,
Though born in such a high degree;
In pride of power, in beauty's bloom,
Had wept o'er Monmouth's bloody
tomb!

When kindness had his wants supplied,
And the old man was gratified,
Began to rise his minstrel pride;
And he began to talk anon,

Of good Earl Francis, dead and gone,
And of Earl Walter, rest him, God!
A braver ne'er to battle rode;
And how full many a tale he knew,
Of the old warriors of Buccleuch :
And, would the noble Duchess deign
To listen to an old man's strain,
Though stiff his hand, his voice though
weak,

He thought even yet, the sooth to speak,
That, if she loved the harp to hear,
He could make music to her ear.

The humble boon was soon obtain'd;
The Aged Minstrel audience gain'd.
But, when he reach'd the room of state,
Where she, with all her ladies, sate,
Perchance he wish'd his boon denied:
For, when to tune his harp he tried,

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His trembling hand had lost the ease,
Which marks security to please;
And scenes, long past, of joy and pain,
Came wildering o'er his aged brain-
He tried to tune his harp in vain!
The pitying Duchess praised its chime,
And gave him heart, and gave him time,
Till every string's according glee
Was blended into harmony.

And then, he said, he would full fain
He could recall an ancient strain,
He never thought to sing again.
It was not framed for village churls,
But for high dames and mighty earls ;
He had play'd it to King Charles the
good,

When he kept court in Holyrood;
And much he wish'd, yet fear'd, to try

The long-forgotten melody.
Amid the strings his fingers stray'd,
And an uncertain warbling made,
And oft he shook his hoary head.
But when he caught the measure wild,
The old man raised his face, and smiled;
And lighten'd up his faded eye,
With all a poet's ecstasy!

In varying cadence, soft or strong,
He swept the sounding chords along:
The present scene, the future lot,
His toils, his wants, were all forgot:
Cold diffidence, and age's frost,
In the full tide of song were lost;
Each blank, in faithless memory void,
The poet's glowing thought supplied:
And, while his harp responsive rung,
'T was thus the LATEST MINSTREL sung.

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In sorrow o'er Lord Walter's bier The warlike foresters had bent; And many a flower, and many a tear,

Old Teviot's maids and matrons lent: But o'er her warrior's bloody bier The Ladye dropp'd nor flower nor tear! Vengeance,deep-brooding o'er the slain,

Had lock'd the source of softer woe; And burning pride, and high disdain, Forbade the rising tear to flow; Until, amid his sorrowing clan, Her son lisp'd from the nurse's knee"And if I live to be a man,

My father's death revenged shall be!" Then fast the mother's tears did seek To dew the infant's kindling cheek.

X.

All loose her negligent attire,

All loose her golden hair,

Hung Margaret o'er her slaughter'd sire,
And wept in wild despair,

But not alone the bitter tear
Had filial grief supplied;
For hopeless love, and anxious fear,
Had lent their mingled tide :
Nor in her mother's alter'd eye
Dared she to look for sympathy.
Her lover, 'gainst her father's clan,
With Carr in arms had stood,
When Mathouse-burn to Melrose ran

All purple with their blood;
And well she knew, her mother dread,
Before Lord Cranstoun she should wed,
Would see her on her dying bed.

XI.

Of noble race the Ladye came, Her father was a clerk of fame,

Of Bethune's line of Picardie: He learned the art that none may name, In Padua, far beyond the sea. Men said, he changed his mortal frame, By feat of magic mystery; For when, in studious mood he paced St. Andrew's cloister'd hall, His form no darkening shadow traced Upon the sunny wall!

XII.

And of his skill, as bards avow,

He taught that Ladye fair,
Till to her bidding she could bow

The viewless forms of air.
And now she sits in secret bower,
In old Lord David's western tower,
And listens to a heavy sound,
That moans the mossy turrets round.
Is it the roar of Teviot's tide,
That chafes against the scaur's red side?
Is it the wind that swings the oaks?
Is it the echo from the rocks?
What may it be, the heavy sound,
That moans old Branksome's turrets
round?

XIII.

At the sullen, moaning sound,
The ban-dogs bay and howl;
And, from the turrets round,

Loud whoops the startled owl. In the hall, both squire and knight

Swore that a storm was near, And looked forth to view the night; But the night was still and clear!

XIV.

From the sound of Teviot's tide,
Chafing with the mountain's side,
From the groan of the wind-swung oak,
From the sullen echo of the rock,
From the voice of the coming storm,
The Ladye knew it well!

It was the Spirit of the Flood that spoke,
And he called on the Spirit of the Fell.

XV.

RIVER SPIRIT.

"Sleep'st thou, brother?".

MOUNTAIN SPIRIT.

"Brother, nay-

On my hills the moonbeams play.
From Craik-cross to Skelfhill-pen,
By every rill, in every glen,
Merry elves their morris pacing,
To aerial minstrelsy,

Emerald rings on brown heath tracing,
Trip it deft and merrily.

Up, and mark their nimble feet!
Up, and list their music sweet!

XVI.

RIVER SPIRIT.

"Tears of an imprisoned maiden Mix with my polluted stream; Margaret of Branksome, sorrow-laden,

Mourns beneath the moon's pale beam. Tell me, thou, who view'st the stars, When shall cease these feudal jars? What shall be the maiden's fate? Who shall be the maiden's mate?"

XVII.

MOUNTAIN SPIRIT.

"Arthur's slow wain his course doth roll,
In utter darkness, round the pole ;
The Northern Bear lowers black and
grim;

Orion's studded belt is dim;
Twinkling faint, and distant far,
Shimmers through mist each planet star;
Ill may I read their high decree !
But no kind influence deign they shower
On Teviot's tide, and Branksome's tower,
Till pride be quell'd, and love be free."

XVIII.
The unearthly voices ceast,

And the heavy sound was still;
It died on the river's breast,

It died on the side of the hill. But round Lord David's tower

The sound still floated near; For it rung in the Ladye's bower, And it rung in the Ladye's ear. She raised her stately head,

And her heart throbb'd high with pride:

"Your mountains shall bend,

And your streams ascend,

Ere Margaret be our foeman's bride!"

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