"O TELL. me, Harper, wherefore flow Thy wayward notes of wail and woe Far down the desert of Glencoe, Where none may list their melody? Say, harp'st thou to the mists that fly, Or to the dun-deer glancing by, Or to the eagle that from high Screams chorus to thy minstrelsy?"— "No, not to these, for they have rest,The mist-wreath has the mountain-crest, The stag his lair, the erne her nest, Abode of lone security. But those for whom I pour the lay, "Their flag was furl'd, and mute their drum, The very household dogs were dumb, In guise of hospitality. To tend her kindly housewifery. "The hand that mingled in the meal, The friendly hearth which warm'd that hand, At midnight arm'd it with the brand, That bade destruction's flames expand Their red and fearful blazonry. "Then woman's shriek was heard in vain, Far more than Southron clemency. "Long have my harp's best notes been gone, Few are its strings, and faint their tone, They can but sound in desert lone Their grey-hair'd master's misery. Were each grey hair a minstrel string, Each chord should imprecations fling, Till startled Scotland loud should ring, 'Revenge for blood and treachery LINES, ADDRESSED TO RANALD MACDONALD, ESQ. OF STAFFA. [1814.] STAFFA, sprung from high Macdonald, FAREWELL TO MACKENZIE, HIGH CHIEF OF KINTAIL. FROM THE GAELIC. [1815.-T. 44.] The original verses are arranged to a beautiful Gaelic air, of which the chorus is adapted to the double pull upon the oars of a galley, and which is therefore distinct from the ordinary jorrams, or boat-songs. They were composed by the Family Bard upon the departure of the Earl of Seaforth, who was obliged to take refuge in Spain, after an unsuccessful effort at insurrection in favour of the Stuart family, in the year 1718. FAREWELL to Mackenneth, great Earl of the North, O swift be the galley, and hardy her crew, * Though the whirlwind should rise, and the ocean should boil: SAINT CLOUD. [Paris, 5th September, 1815.] SOFT spread the southern summer night The evening breezes gently sigh'd, Bewailing the deserted pride And wreck of sweet Saint Cloud. The drum's deep roll was heard afar, The startled Naiads from the shade And silenced was that proud cascade, * Bonail, or Bonallez, the old Scottish phrase for a feast at parting with a friend. We sate upon its steps of stone, The echoes of Saint Cloud. Slow Seine might hear each lovely note Fall light as summer dew, While through the moonless air they float, Prolong'd from fair Saint Cloud. And sure a melody more sweet His waters never knew, Nor then, with more delighted ear, THE DANCE OF DEATH. [1815.] I. NIGHT and morning were at meeting Cocks had sung their earliest greeting; Where the soldier lay, Chill and stiff, and drench'd with rain, Wishing dawn of morn again, Though death should come with day. II. 'Tis at such a tide and hour, Wizard, witch, and fiend, have power, And ghastly forms through mist and shower Gleam on the gifted ken; course, And spurr'd 'gainst storm the swerving horse; But there are sounds in Allan's ear, When down the destined plain, 'Twixt Britain and the bands of France, Wild as marsh-borne meteors glance, Strange phantoms wheel'd a revel dance, And doom'd the future slain. Such forms were seen, such sounds were heard, When Scotland's James his march prepared For Flodden's fatal plain; Such, when he drew his ruthless sword, As Choosers of the Slain, adored The yet unchristen'd Dane. An indistinct and phantom band, They wheel'd their ring-dance hand in hand, VI. Wheel the wild dance To sleep without a shroud. Sons of the spear! In many a ghastly dream; And hear our fatal scream. With clearer sight Ere falls the night, Just when to weal or woe Our choir of death shall know. Wheel the wild dance To sleep without a shroud. Burst, ye clouds, in tempest showers, Redder rain shall soon be ours See the east grows wanYield we place to sterner game, Ere deadlier bolts and direr flame Shall the welkin's thunders shame Elemental rage is tame To the wrath of man. VIII. At morn, grey Allan's mates with awe Heard of the vision'd sights he saw, The legend heard him say; But the Seer's gifted eye was dim, Deafen'd his ear, and stark his limb, Ere closed that bloody dayHe sleeps far from his Highland heath,But often of the Dance of Death His comrades tell the tale, On picquet-post, when ebbs the night, And waning watch-fires glow less bright, And dawn is glimmering pale. ROMANCE OF DUNOIS. FROM THE FRENCH. [1815.] The original of this little Romance makes part of a manuscript collection of French Songs, probably compiled by some young officer, which was found on the field of Waterloo, so much stained with clay and with blood, as sufficiently to indicate what had been the fate of its late owner. The song is popular in France, and is rather a good specimen of the style of composition to which it belongs. The translation is strictly literal. IT was Dunois, the young and brave, was bound for Palestine, But first he made his orisons before Saint Mary's shrine : “And grant, immortal Queen of Heaven," was still the Soldier's prayer, "That I may prove the bravest knight, and love the fairest fair.' His oath of honour on the shrine he graved it with his sword, THE TROUBADOUR. FROM THE SAME COLLECTION. GLOWING with love, on fire for fame, [1815.] A Troubadour that hated sorrow, Befits the gallant Troubadour." And while he march'd with helm on head And harp in hand, the descant rung, As, faithful to his favourite maid, The minstrel-burden still he sung: "My arm it is my country's right, My heart is in my lady's bower; Resolved for love and fame to fight, I come, a gallant Troubadour." Even when the battle-roar was deep, With dauntless heart he hew'd his way, 'Mid splintering lance and falchionsweep, And still was heard his warrior-lay: "My life it is my country's right, My heart is in my lady's bower; Becomes the valiant Troubadour." He fell beneath the foeman's glaive, But still reclining on his shield, Expiring sung the exulting stave :— "My life it is my country's right, My heart is in my lady's bower; For love and fame to fall in fight Becomes the valiant Troubadour." |