Biographia Literaria, Volym 2Clarendon Press, 1907 - 334 sidor |
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Sida 21
... stanza is so far an adequate specimen , as that the occasional differences appear evidently to arise from accident , or the 20 qualities of the language itself , not from meditation and an intelligent purpose . And the language from ...
... stanza is so far an adequate specimen , as that the occasional differences appear evidently to arise from accident , or the 20 qualities of the language itself , not from meditation and an intelligent purpose . And the language from ...
Sida 24
... stanza ; and lastly with equal labor , the greater because unbetrayed , by the variation and various harmonies of their metrical movement . Their measures , however , were not indebted 5 for their variety to the introduction of new ...
... stanza ; and lastly with equal labor , the greater because unbetrayed , by the variation and various harmonies of their metrical movement . Their measures , however , were not indebted 5 for their variety to the introduction of new ...
Sida 36
... stanza ; the seven last lines of the tenth ; † and the five following * I've measured it from side to side ; ' Tis ... stanzas , with the exception of the four admirable lines 36 CH . XVII Biographia Literaria.
... stanza ; the seven last lines of the tenth ; † and the five following * I've measured it from side to side ; ' Tis ... stanzas , with the exception of the four admirable lines 36 CH . XVII Biographia Literaria.
Sida 37
Samuel Taylor Coleridge John T. Shawcross. stanzas , with the exception of the four admirable lines at the commencement of the fourteenth , are felt by many un- I'll give you the best help I can : Before you up the mountain go , Up to ...
Samuel Taylor Coleridge John T. Shawcross. stanzas , with the exception of the four admirable lines at the commencement of the fourteenth , are felt by many un- I'll give you the best help I can : Before you up the mountain go , Up to ...
Sida 44
... stanza , on which I have chanced to open , in the Lyrical Ballads . It is one the most simple and the least peculiar in its language . " In distant countries have I been , And yet I have not often seen A healthy man , a man full grown ...
... stanza , on which I have chanced to open , in the Lyrical Ballads . It is one the most simple and the least peculiar in its language . " In distant countries have I been , And yet I have not often seen A healthy man , a man full grown ...
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Biographia Literaria: Or, Biographical Sketches of My Literary Life and ... Samuel Taylor Coleridge Ingen förhandsgranskning - 2013 |
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admiration agreeable Apollo Belvedere appear beauty Bertram Biog Brougham Castle character Coleridge Coleridge's common composed composition critic Dane definition delight diction distinction dramatic Edinburgh Review edition effect Elbe English Ennead equally Essay excellence excitement expression faculties fancy feeling former German Greek Hamburg heart human images imagination imitation instance intellectual interest judgement Kant Klopstock Kotzebue lady language Lectures less Letters lines Lyrical Ballads means ment metre Milton mind moral nature object opinion original passage passion perhaps person philosopher pleasure Plotinus poem poet poet's poetry Preface present principle prose published 1807 Ratzeburg reader reason recollect Review rhyme rustic Samuel Daniel Sara Coleridge scene seems sense Shakespeare sonnet soul speaking specimens spirit stanza style sweet taste thing thou thought tion translation truth unity Venus and Adonis verse whole words Wordsworth writings καὶ
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Sida 6 - Lyrical Ballads, in which it was agreed that my endeavours should be directed to persons and characters supernatural, or at least romantic — yet so as to transfer from our inward nature a human interest and a semblance of truth sufficient to procure for these shadows of imagination that willing suspension of disbelief, for the moment, which constitutes poetic faith.
Sida 12 - The poet, described in ideal perfection, brings the whole soul of man into activity, with the subordination of its faculties to each other, according to their relative worth and dignity. He diffuses a tone and spirit of unity that blends, and (as it were) fuses, each into each, by that synthetic and magical power to which we have exclusively appropriated the name of imagination.
Sida 43 - At her feet he bowed he fell, he lay down at her feet he bowed, he fell where he bowed, there he fell down dead...
Sida 74 - LORD, with what care hast thou begirt us round ! Parents first season us : then schoolmasters Deliver us to laws ; they send us bound To rules of reason, holy messengers, Pulpits and Sundays, sorrow dogging sin, Afflictions sorted, anguish of all sizes. Fine nets and stratagems to catch us in, Bibles laid open, millions of surprises, Blessings beforehand, ties of gratefulness, The sound of glory ringing in our ears ; Without, our shame ; within, our consciences ; Angels and grace, eternal hopes and...
Sida 35 - Humble and rustic life was generally chosen because in that condition the essential passions of the heart find a better soil in which they can attain their maturity, are less under restraint, and speak a plainer and more emphatic language...
Sida 51 - By bud of nobler race: this is an art Which does mend nature, change it rather, but The art itself is nature.
Sida 6 - Wordsworth, on the other hand, was to propose to himself, as his object, to give the charm of novelty to things of every day, and to excite a feeling analogous to the supernatural by awakening the mind's attention from the lethargy of custom, and directing it to the loveliness and the wonders of the world before us...
Sida 31 - ... the passions of men are incorporated with the beautiful and permanent forms of nature.
Sida 48 - And in my breast the imperfect joys expire; Yet Morning smiles the busy race to cheer, And new-born pleasure brings to happier men; The fields to all their wonted tribute bear; To warm their little loves the birds complain. I fruitless mourn to him that cannot hear And weep the more because I weep in vain.
Sida 10 - A poem is that species of composition, which is opposed to works of science, by proposing for its immediate object pleasure, not truth ; and from all other species (having this object in common with it) it is discriminated by proposing to itself such delight from the whole, as is compatible with a distinct gratification from each component part.