Characters of Shakespeare's PlaysWiley and Putnam, 1845 - 229 sidor |
Från bokens innehåll
Resultat 1-5 av 10
Sida 18
... effeminacy in the two deposed monarchs . With still more powerful and masterly strokes he has marked the different effects of ambition and cruelty , operating on different dispositions and in different circumstances , in his MACBETH and ...
... effeminacy in the two deposed monarchs . With still more powerful and masterly strokes he has marked the different effects of ambition and cruelty , operating on different dispositions and in different circumstances , in his MACBETH and ...
Sida 66
... has contrasted the extreme magnificence of the descriptions in this play with pictures of extreme suffering and physical horror , not less striking - partly , perhaps , to excuse the effeminacy of 66 ANTONY AND CLEOPATRA .
... has contrasted the extreme magnificence of the descriptions in this play with pictures of extreme suffering and physical horror , not less striking - partly , perhaps , to excuse the effeminacy of 66 ANTONY AND CLEOPATRA .
Sida 67
William Hazlitt. ing - partly , perhaps , to excuse the effeminacy of Mark Antony , to whom they are related as having happened , but more to pre- serve a certain balance of feeling in the mind . Cæsar says , hearing of his conduct at ...
William Hazlitt. ing - partly , perhaps , to excuse the effeminacy of Mark Antony , to whom they are related as having happened , but more to pre- serve a certain balance of feeling in the mind . Cæsar says , hearing of his conduct at ...
Sida 142
... effeminacy of the one is that of a voluptuary , proud , revengeful , impatient of contradiction , and inconsolable. * There is another instance of the same distinction in Hamlet and Ophelia . Hamlet's pretended madness would make a very ...
... effeminacy of the one is that of a voluptuary , proud , revengeful , impatient of contradiction , and inconsolable. * There is another instance of the same distinction in Hamlet and Ophelia . Hamlet's pretended madness would make a very ...
Sida 143
... effeminacy of the other is that of an indolent , good - natured mind , naturally averse to the turmoils of ambition and the cares of greatness , and who wishes to pass his time in monkish indolence and contemplation . Richard bewails ...
... effeminacy of the other is that of an indolent , good - natured mind , naturally averse to the turmoils of ambition and the cares of greatness , and who wishes to pass his time in monkish indolence and contemplation . Richard bewails ...
Andra upplagor - Visa alla
Characters of Shakespeare's Plays: & Lectures on the English Poets William Hazlitt Ingen förhandsgranskning - 2015 |
Vanliga ord och fraser
admiration Æschylus affections Beaumont and Fletcher beauty Ben Jonson blood breath Cæsar Caliban character comedy Coriolanus critic D'Ol death delight Desdemona dost doth dramatic Duke effeminacy Endymion equal Eumenides eyes Falstaff fancy fear feeling fire fool fortune friends genius give grace hand hast hath hear heart heaven Henry honour human Iago imagination Jonson Julius Cæsar king kiss lady Lear learning live look lord Macbeth MALVOLIO manner MIDSUMMER NIGHT'S DREAM mind moral nature never night noble Othello passages passion person pity play pleasure poet poetical poetry pride prince quincunxes racter rich Richard Richard III scene seems sense sentiment Shak Shakspeare Shakspeare's sleep soul speak speech spirit striking style sweet tell tender thee things thou art thought tion Titus Andronicus tragedy true truth unto wife words writers youth