Characters of Shakespeare's PlaysWiley and Putnam, 1845 - 229 sidor |
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Sida vii
... NIGHT'S DREAM ROMEO AND JULIET 64 70 77 85 91 LEAR 103 RICHARD II . 116 HENRY IV . IN TWO PARTS 123 HENRY V. 132 HENRY VI . IN THREE PARTS 140 RICHARD III . 148 HENRY VIII . 155 KING JOHN 159 TWELFTH NIGHT ; OR , WHAT YOU WILL 164 . THE ...
... NIGHT'S DREAM ROMEO AND JULIET 64 70 77 85 91 LEAR 103 RICHARD II . 116 HENRY IV . IN TWO PARTS 123 HENRY V. 132 HENRY VI . IN THREE PARTS 140 RICHARD III . 148 HENRY VIII . 155 KING JOHN 159 TWELFTH NIGHT ; OR , WHAT YOU WILL 164 . THE ...
Sida 12
... nights sole sovereign sway and masterdom , " by the murder of Duncan , is gorgeously expressed in her invocation on hearing of " his fatal entrance under her battlements : " - " Come all you spirits That tend on mortal thoughts , unsex ...
... nights sole sovereign sway and masterdom , " by the murder of Duncan , is gorgeously expressed in her invocation on hearing of " his fatal entrance under her battlements : " - " Come all you spirits That tend on mortal thoughts , unsex ...
Sida 13
... night ! And pall thee in the dunnest smoke of hell , That my keen knife see not the wound it makes , Nor heaven peep through the blanket of the dark , To cry , hold , hold ! " — When she first hears that " Duncan comes there to sleep ...
... night ! And pall thee in the dunnest smoke of hell , That my keen knife see not the wound it makes , Nor heaven peep through the blanket of the dark , To cry , hold , hold ! " — When she first hears that " Duncan comes there to sleep ...
Sida 14
... sight of nothing that could in any way give relief or heightening to his subject , is the conversation which takes place between Banquo and Fleance immediately before the murder of Duncan . " BANQUO . How goes the night , boy ? 14 MACBETH .
... sight of nothing that could in any way give relief or heightening to his subject , is the conversation which takes place between Banquo and Fleance immediately before the murder of Duncan . " BANQUO . How goes the night , boy ? 14 MACBETH .
Sida 15
William Hazlitt. " BANQUO . How goes the night , boy ? FLEANCE . The moon is down : I have not heard the clock . BANQUO . And she goes down at twelve . FLEANCE . I take ' t , ' tis later , Sir . BANQUO . Hold , take my sword . There's ...
William Hazlitt. " BANQUO . How goes the night , boy ? FLEANCE . The moon is down : I have not heard the clock . BANQUO . And she goes down at twelve . FLEANCE . I take ' t , ' tis later , Sir . BANQUO . Hold , take my sword . There's ...
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Characters of Shakespeare's Plays: & Lectures on the English Poets William Hazlitt Ingen förhandsgranskning - 2015 |
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admiration affections Beaumont and Fletcher beauty Ben Jonson blood breath Cæsar Caliban character comedy Coriolanus critic CYMBELINE D'Ol death delight Desdemona dost doth dramatic Duke effeminacy Endymion equal Eumenides eyes Falstaff fancy fear feeling fire fool fortune friends genius give grace hand hast hath hear heart heaven Henry honour human Iago imagination Jeremy Taylor Jonson king kiss lady Lear learning live look lord Macbeth MALVOLIO manner MIDSUMMER NIGHT'S DREAM mind moral nature never night noble Othello passages passion person pity play pleasure poet poetical poetry pride prince quincunxes racter rich Richard Richard III scene seems Sejanus sense sentiment Shak Shakspeare Shakspeare's sleep soul speak speech spirit striking style sweet tell tender thee things thou art thought tion Titus Andronicus tragedy true truth unto wife words writers youth