Merit, Not Sympathy, Wins: The Life and Times of Blind Boone

Framsida
Mary Collins Barile, Christine Montgomery
Truman State University Press, 23 sep. 2015 - 256 sidor

Foreword by Max Morath
In post-Reconstruction America, John William "Blind" Boone, an illiterate, itinerant musician, overcame obstacles created by disability, exploitative managers, and racial prejudice to become one of the country’s most beloved concert performers. This book includes Melissa Fuell-Cuther's out-of-print biography, Blind Boone: His Life and Achievements, which relates the highlights of Boone's harrowing journey and also testifies to the struggles of many African Americans during the Jim Crow era.
     With the initial publication of the Boone biography in 1915, Fuell-Cuther broke ground as the first American black author to write about the life of a black musician. As a member of Boone’s concert company, she provided firsthand knowledge of Boone's early years, his career performing tours across the country, and perhaps most importantly, his professional and personal relationship with John Lange, whom many at the time considered the best entertainment manager, black or white, in the country.
     The story of Blind Boone is revitalized in this annotated edition of the biography, accompanied by essays describing the Missouri environment in which the artist lived, his place within the landscape of American music, and his achievements after publication of the second edition of Fuell’s biography. Early black performers faced barriers of discrimination with perseverance, resilience, and courage to carve a path for future generations.
 

Om författaren (2015)

Mary Collins Barile, PhD, is a theatre historian and author of books about Missouri history, the Santa Fe Trail, and the history of acting in nineteenth-century America. Her most recent publication is The Haunted Boonslick: Ghosts, Ghouls & Monsters of Missouri’s Heartland. She lives in Boonville, Missouri.

Christine Montgomery is a grant writer for the University of Missouri and worked as the photograph specialist at the State Historical Society of Missouri, where she wrote the Blind Boone essay for the society’s Historic Missourians website. She served as a contributing writer and coeditor for Images of Our Lives, a history of Columbia, Missouri.
 

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