mind of a poet, Volym 2Johns Hopkins Press, 1941 - 660 sidor |
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Sida 152
... chapter IX ( ed . Shawcross , I , 98 ) . The italics and capitals are Coleridge's . 36 Excursion , iv . 962. See below , ii . 203-32 n . , 221 n . ་ ་ 37 See Biographia Literaria , chapter x ( ed . Shawcross , I , 109-10 ) and Shaw ...
... chapter IX ( ed . Shawcross , I , 98 ) . The italics and capitals are Coleridge's . 36 Excursion , iv . 962. See below , ii . 203-32 n . , 221 n . ་ ་ 37 See Biographia Literaria , chapter x ( ed . Shawcross , I , 109-10 ) and Shaw ...
Sida 259
... chapter III . There is need of a thorough study of the concep- tion of the imagination in the eighteenth and nineteenth centuries . " On the Sublime and Beautiful , Introduction . Burke's use of the term " creative , " which would be ...
... chapter III . There is need of a thorough study of the concep- tion of the imagination in the eighteenth and nineteenth centuries . " On the Sublime and Beautiful , Introduction . Burke's use of the term " creative , " which would be ...
Sida 261
... chapter XIV , penultimate paragraph ; cf. ibid . , chapter xv , fourth paragraph ; ibid . , chapter xxII ( ed . Shawcross , II , 123 ) ; and Table Talk , January 1 , 1834 ( " The truth is , he [ Landor ] does not possess imagination in ...
... chapter XIV , penultimate paragraph ; cf. ibid . , chapter xv , fourth paragraph ; ibid . , chapter xxII ( ed . Shawcross , II , 123 ) ; and Table Talk , January 1 , 1834 ( " The truth is , he [ Landor ] does not possess imagination in ...
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TABLE OF SIGLA ABBREVIATIONS ETC xi | 111 |
INTRODUCTION 1 | 119 |
CHAPTER | 131 |
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The Mind of a Poet: A Study of Wordsworth's Thought with Particular ..., Volym 2 Raymond Dexter Havens Fragmentarisk förhandsgranskning - 1941 |
The Mind of a Poet: A Study of Wordsworth's Thought, Volym 2 Raymond Dexter Havens Fragmentarisk förhandsgranskning - 1951 |
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admirable alliteration apparently associated beauty beginning believe called Cambridge Chapter child clear close Coleridge composed conception connected consciousness contrast creative deal described earlier early effect emotions Excursion experience expressed external faculty fear feeling felt final text give given heart hope human idea illustration images imagination implied important impressions incidents interest kind later less letter lines living London matter means mentioned mind mystery mystic nature never objects observed omitted original passage passed passion perhaps period picture poem poet poet's poetry Preface Prelude present presumably probably reading reason refer remarks scene seems sense similar soul speaking spirit strong suggests things thinking thought tion true truth universe variant viii wonder Wordsworth worth writes written wrote youth