mind of a poet, Volym 2Johns Hopkins Press, 1941 - 660 sidor |
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Sida 322
... creative activity of the child's imagination has nothing to do ; they are recollected from previous existence . " " " 19 The idea of the active or creative power of the mind ( which , together with that of the unity of all and of the ...
... creative activity of the child's imagination has nothing to do ; they are recollected from previous existence . " " " 19 The idea of the active or creative power of the mind ( which , together with that of the unity of all and of the ...
Sida 323
... creative sensibility creative sensibility " ( 360 ) expresses admirably both the passive and the active aspects of the poetic process : sensitivity to sense impressions and the power of transform- ing them . See xiv . 94-7 n . A poet ...
... creative sensibility creative sensibility " ( 360 ) expresses admirably both the passive and the active aspects of the poetic process : sensitivity to sense impressions and the power of transform- ing them . See xiv . 94-7 n . A poet ...
Sida 331
... creative power when he wished ; moreover , he could not control or predict its actions , some of which were probably capricious , extravagant , or fanciful . The meaning of 365-6 seems to be that this plastic or creative power was self ...
... creative power when he wished ; moreover , he could not control or predict its actions , some of which were probably capricious , extravagant , or fanciful . The meaning of 365-6 seems to be that this plastic or creative power was self ...
Innehåll
TABLE OF SIGLA ABBREVIATIONS ETC xi | 111 |
INTRODUCTION 1 | 119 |
CHAPTER | 131 |
Upphovsrätt | |
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The Mind of a Poet: A Study of Wordsworth's Thought with Particular ..., Volym 2 Raymond Dexter Havens Fragmentarisk förhandsgranskning - 1941 |
The Mind of a Poet: A Study of Wordsworth's Thought, Volym 2 Raymond Dexter Havens Fragmentarisk förhandsgranskning - 1951 |
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admirable alliteration apparently associated beauty beginning believe called Cambridge Chapter child clear close Coleridge composed conception connected consciousness contrast creative deal described earlier early effect emotions Excursion experience expressed external faculty fear feeling felt final text give given heart hope human idea illustration images imagination implied important impressions incidents interest kind later less letter lines living London matter means mentioned mind mystery mystic nature never objects observed omitted original passage passed passion perhaps period picture poem poet poet's poetry Preface Prelude present presumably probably reading reason refer remarks scene seems sense similar soul speaking spirit strong suggests things thinking thought tion true truth universe variant viii wonder Wordsworth worth writes written wrote youth