mind of a poet, Volym 2Johns Hopkins Press, 1941 - 660 sidor |
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Sida 263
... never raised this question and perhaps never considered it , or at least , never faced it squarely ; accordingly , this opinion must be understood as what seems to me the logical deduction from his various utterances . The asso- ciation ...
... never raised this question and perhaps never considered it , or at least , never faced it squarely ; accordingly , this opinion must be understood as what seems to me the logical deduction from his various utterances . The asso- ciation ...
Sida 323
... never for a continuance of time : as its exercise supposes all the higher qualities of the mind to be passive , and in a state of subjection to external objects . ' , 20 Of genius [ he wrote ] the only proof is , the act of doing well ...
... never for a continuance of time : as its exercise supposes all the higher qualities of the mind to be passive , and in a state of subjection to external objects . ' , 20 Of genius [ he wrote ] the only proof is , the act of doing well ...
Sida 452
... never got close to them he found it easier to reduce them to the abstraction , Man . Of all the books of The Prelude the A version of vIII is the most loosely knit , discursive , repetitious , and leisurely— “ di- gressive " is hardly ...
... never got close to them he found it easier to reduce them to the abstraction , Man . Of all the books of The Prelude the A version of vIII is the most loosely knit , discursive , repetitious , and leisurely— “ di- gressive " is hardly ...
Innehåll
TABLE OF SIGLA ABBREVIATIONS ETC xi | 111 |
INTRODUCTION 1 | 119 |
CHAPTER | 131 |
Upphovsrätt | |
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The Mind of a Poet: A Study of Wordsworth's Thought with Particular ..., Volym 2 Raymond Dexter Havens Fragmentarisk förhandsgranskning - 1941 |
The Mind of a Poet: A Study of Wordsworth's Thought, Volym 2 Raymond Dexter Havens Fragmentarisk förhandsgranskning - 1951 |
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admirable alliteration apparently associated beauty beginning believe called Cambridge Chapter child clear close Coleridge composed conception connected consciousness contrast creative deal described earlier early effect emotions Excursion experience expressed external faculty fear feeling felt final text give given heart hope human idea illustration images imagination implied important impressions incidents interest kind later less letter lines living London matter means mentioned mind mystery mystic nature never objects observed omitted original passage passed passion perhaps period picture poem poet poet's poetry Preface Prelude present presumably probably reading reason refer remarks scene seems sense similar soul speaking spirit strong suggests things thinking thought tion true truth universe variant viii wonder Wordsworth worth writes written wrote youth