mind of a poet, Volym 2Johns Hopkins Press, 1941 - 660 sidor |
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Sida 138
... scene , and done so , in a large part , by discarding much which , though in itself striking , was not characteristic . In every scene many of the most brilliant details are but accidental . A true eye for Nature does not note them , or ...
... scene , and done so , in a large part , by discarding much which , though in itself striking , was not characteristic . In every scene many of the most brilliant details are but accidental . A true eye for Nature does not note them , or ...
Sida 221
... scene at the cross - roads where he watched for the horses . Thus again it was not until he was writing The Prelude that " Imagination . . . In all the might of its endow- ments , came Athwart " him at the thought of his crossing the ...
... scene at the cross - roads where he watched for the horses . Thus again it was not until he was writing The Prelude that " Imagination . . . In all the might of its endow- ments , came Athwart " him at the thought of his crossing the ...
Sida 578
... scene that is next presented and to invest it with glory not its own . In the second instance the impression is deepened by what followed , the death of the father , which seemed to the boy a punishment for his impatience . Each ...
... scene that is next presented and to invest it with glory not its own . In the second instance the impression is deepened by what followed , the death of the father , which seemed to the boy a punishment for his impatience . Each ...
Innehåll
TABLE OF SIGLA ABBREVIATIONS ETC xi | 111 |
INTRODUCTION 1 | 119 |
CHAPTER | 131 |
Upphovsrätt | |
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The Mind of a Poet: A Study of Wordsworth's Thought with Particular ..., Volym 2 Raymond Dexter Havens Fragmentarisk förhandsgranskning - 1941 |
The Mind of a Poet: A Study of Wordsworth's Thought, Volym 2 Raymond Dexter Havens Fragmentarisk förhandsgranskning - 1951 |
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admirable alliteration apparently associated beauty beginning believe called Cambridge Chapter child clear close Coleridge composed conception connected consciousness contrast creative deal described earlier early effect emotions Excursion experience expressed external faculty fear feeling felt final text give given heart hope human idea illustration images imagination implied important impressions incidents interest kind later less letter lines living London matter means mentioned mind mystery mystic nature never objects observed omitted original passage passed passion perhaps period picture poem poet poet's poetry Preface Prelude present presumably probably reading reason refer remarks scene seems sense similar soul speaking spirit strong suggests things thinking thought tion true truth universe variant viii wonder Wordsworth worth writes written wrote youth