Humor E Ironia Na Literatura: Anais Do XXVI SENAPULLI.ABRAPUI, 1994 - 171 sidor |
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Sida 25
... player as player and as character " 25 in the audience who was able to move easily from the real word into the play world , and vice - versa . The difficulty - as Michael Shapiro recognizes - is how to control the audience's dual ...
... player as player and as character " 25 in the audience who was able to move easily from the real word into the play world , and vice - versa . The difficulty - as Michael Shapiro recognizes - is how to control the audience's dual ...
Sida 71
... play is striking . Let us then examine several parallel scenes in Acts I and II . In the beginning of the play , Mrs. Gibbs is preparing breakfast and calling her children to eat and go to school . The dialogue switches quickly from ...
... play is striking . Let us then examine several parallel scenes in Acts I and II . In the beginning of the play , Mrs. Gibbs is preparing breakfast and calling her children to eat and go to school . The dialogue switches quickly from ...
Sida 131
... plays acquire a special emphasis because of current situations and attitudes . For that matter , aspects of Mrs. Warren's Profession are particulary significant for today's audiences in the sense that the play deals with persistent ...
... plays acquire a special emphasis because of current situations and attitudes . For that matter , aspects of Mrs. Warren's Profession are particulary significant for today's audiences in the sense that the play deals with persistent ...
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CONFERÊNCIA DE ABERTURA | 5 |
COMUNICAÇÕES COORDENADAS | 19 |
The Hidden dimension of Puns in James Joyce | 34 |
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