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according action admiration ancient answer appear beauty become better called Carlyle cause century character Chaucer conceived criticism delight divine doth drama Dryden effect Elizabethan English Essay example excellent expression faculty feeling force genius give hand harmony hath heart heroic highest human ideas imagination imitation judge judgment kind knowledge language laws learned least less light literature live manner mark matter means method mind moral move nature never object once original painting passion perfect perhaps person philosopher play pleasure poem poesy poet poetical poetry present principles question reader reason rhyme sense soul sound speak spirit story taken things thought tion tragedy true truly truth turn universal verse virtue whole writers written
Sida 118 - Not mine own fears, nor the prophetic soul Of the wide world dreaming on things to come, Can yet the lease of my true love control, Suppos'd as forfeit to a confin'd doom.
Sida xlvii - All the images of Nature were still present to him, and he drew them not laboriously, but luckily: when he describes any thing, you more than see it, you feel it too. Those who accuse him to have wanted learning, give him the greater commendation: he was naturally learned: he needed not the spectacles of books to read Nature; he looked inwards, and found her there.
Sida 135 - Between the acting of a dreadful thing And the first motion, all the interim is Like a phantasma, or a hideous dream : The genius, and the mortal instruments, Are then in council; and the state of man, Like to a little kingdom, suffers then The nature of an insurrection.
Sida 128 - O, now, for ever Farewell the tranquil mind ! farewell content ! Farewell the plumed troop, and the big wars, That make ambition virtue ! O, farewell ! Farewell the neighing steed, and the shrill trump, The spirit-stirring drum, th...
Sida 124 - The Lunatic, the lover and the poet Are of imagination all compact: One sees more devils than vast hell can hold, That is, the madman: the lover, all as frantic. Sees Helen's beauty in a brow of Egypt: The poet's eye, in a fine frenzy rolling, Doth glance from heaven to earth, from earth to heaven; And as imagination bodies forth The forms of things unknown, the poet's pen Turns them to shapes and gives to airy nothing A local habitation and a name.
Sida 113 - The poet, described in ideal perfection, brings the whole soul of man into activity, with the subordination of its faculties to each other, according to their relative worth and dignity. He diffuses a tone and spirit of unity, that blends and (as it were) fuses each into each, by that synthetic and magical power to which we have exclusively appropriated the name of imagination.
Sida 165 - For he not only beholds intensely the present as it is, and discovers those laws according to which present things ought to be ordered, but he beholds the future in the present, and his thoughts are the germs of the flower and the fruit of latest time.
Sida 126 - The poet's eye, in a fine frenzy rolling, Doth glance from heaven to earth, from earth to heaven ; And, as imagination bodies forth The forms of things unknown, the poet's pen Turns them to shapes, and gives to airy nothing A local habitation, and a name. Such tricks hath strong imagination, That, if it would but apprehend some joy, It comprehends some bringer of that joy; Or, in the night, imagining some fear, How easy is a bush supposed a bear ! Hip.
Sida 23 - But he cometh to you with words set in delightful proportion, either accompanied with, or prepared for, the wellenchanting skill of music; and with a tale, forsooth, he cometh unto you, with a tale which holdeth children from play, and old men from the chimney-corner...