Remaking the classics: literature, genre and media in Britain 1800-2000
Duckworth, 2007 - 153 sidor
This important collection of essays both contributes to the expanding field of classical reception studies and seeks to extend it. Focusing on nineteenth- and twentieth-century Britain, it looks at a range of different genres (epic, novel, lyric, tragedy, political pamphlet). Within the published texts considered, the usual range of genres dealt with elsewhere is extended by chapters on books for children, and those in which childhood and memories of childhood are informed by antiquity; and also by a multi-genre case study of a highly unusual subject, Spartacus. Remaking the Classics also goes beyond books to dramatic performance, and beyond the theatre to radio ' a medium of enormous power and influence from the 1920s to the 1960s, whose role in the reception of classics is largely unexplored. Contributors: Lorna Hardwick, Stephen Harrison, Ruth Hazel, Leanne Hunnings, Sheila Murnaghan, Deborah Roberts, Christopher Stray, Elizabeth Vandiver, Amanda Wrigley.
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Classics in British poetry of the First World
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Achilles Aeneid Aeschylus Agamemnon ancient world antiquity audience Balder Dead body British broadcast Butts and Mitchison Carr's chapter child childhood Chorus classical colonised contemporary Crassus critics cultural death discussion echoes engagement English Ernest Jones Euripides example experience father female genre Gielgud gladiator Greece Greek drama Greek plays Greek tragedy Greig's Hadrian's Wall Harrison Hector Hecuba Hibberd Hippolytus historical fiction Homeric Idyls Iliad imagination Imbros Irish Jacob Jones Kipling Kipling's literary literature Mackintosh MacNeice's male Medea modern mother myth Naomi Mitchison narrative Notes novel Owen Owen's parody performance perhaps Pertinax poem poem's poetry poets Polish political post-colonial production Puck radio drama reading recalls reception revenge Roman Britain Rome Rosemary Sutcliff Rustum sense Shaw-Stewart slave Sohrab soldiers sparagmos Spartacus Spring Offensive stage story Strickland 1822 Sutcliff Tennyson theatre Third Programme translation trench twentieth century Val Gielgud Victorian Virgil Virgilian women writing