Cavalier PoetsBritish Council, 1960 - 52 sidor |
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... common factor that binds the Cavaliers together ' , he writes , ' is their use of direct and colloquial language expressive of a highly individual personality , and their enjoy- ment of the casual , the amateur , the affectionate poem ...
... common factor that binds the Cavaliers together ' , he writes , ' is their use of direct and colloquial language expressive of a highly individual personality , and their enjoy- ment of the casual , the amateur , the affectionate poem ...
Sida 21
... common people , but they are certainly not those of the court and gentry alone . The words are commonplace , and the rhythm is that of many a street ballad , while the view of the man - woman relationship is free of any ' literary ...
... common people , but they are certainly not those of the court and gentry alone . The words are commonplace , and the rhythm is that of many a street ballad , while the view of the man - woman relationship is free of any ' literary ...
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... common expres- sions such as ' whole wide world ' , ' the spite on't ' , and the deliberate avoidance of unusual and highly emotive adjec- tives in such phrases as ' constant lover ' , and ' that very face ' makes us feel that the ...
... common expres- sions such as ' whole wide world ' , ' the spite on't ' , and the deliberate avoidance of unusual and highly emotive adjec- tives in such phrases as ' constant lover ' , and ' that very face ' makes us feel that the ...
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accept amateur amusement attitude Aurelian Townshend beauty Bonamy Dobrée C. V. Wedgwood careless ease Carew and Suckling casual CAVALIER POETS charm commonplace conceits contrived conventional craftsmanship decorative do't Donne Dryden E. W. F. Tomlin Edmund Blunden EDMUND WALLER eighteenth century elaborate elegance Elegie emotion enjoy enjoyment expect eyes fancy fashion feel G. S. Fraser give H. J. C. Grierson heart Herbert of Cherbury heroic couplet humour impression ingenious Jonson Kenneth lines literary Lord Herbert love thee Lovelace's lover lyrical poetry M. C. Bradbrook Marquis of Montrose Mistress moral statement musical never occasionally once Oxford passionate Petrarchan poet's poetic portrait praise pretentious Prithee reader RICHARD LOVELACE ROBIN SKELTON Royalists sense SEVENTEENTH CENTURY simply sing SIR JOHN SUCKLING smooth song soule speaker speech strong masculine style Suckling or Carew Suckling's sweet and fair thine THOMAS CAREW Thomas Randolph thou tone verses vigour William Habington witty writes wrote young zest