Cavalier PoetsBritish Council, 1960 - 52 sidor |
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Sida 8
... feeling that the surprising com- parisons and the bizarre metaphors are purely decorative , we feel that they have arisen naturally from the pressure of the poet's passionate intelligence . Obsessed with his situation , his ideas become ...
... feeling that the surprising com- parisons and the bizarre metaphors are purely decorative , we feel that they have arisen naturally from the pressure of the poet's passionate intelligence . Obsessed with his situation , his ideas become ...
Sida 23
... feel that the speaker is using no contrivance , but is more concerned with his feelings than his art . Yet , because of the very simplicity of the expression , we also feel slightly superior to the speaker , recognising the ' unliterary ...
... feel that the speaker is using no contrivance , but is more concerned with his feelings than his art . Yet , because of the very simplicity of the expression , we also feel slightly superior to the speaker , recognising the ' unliterary ...
Sida 34
... feel he had a general compulsion to play with words , ideas , and sounds , but it is rare for us to feel that any particular poem was a necessity , even if only a necessity of the moment . Nevertheless , Lovelace added poems to the ...
... feel he had a general compulsion to play with words , ideas , and sounds , but it is rare for us to feel that any particular poem was a necessity , even if only a necessity of the moment . Nevertheless , Lovelace added poems to the ...
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accept amateur amusement attitude Aurelian Townshend beauty Bonamy Dobrée C. V. Wedgwood careless ease Carew and Suckling casual CAVALIER POETS charm commonplace conceits contrived conventional craftsmanship decorative do't Donne Dryden E. W. F. Tomlin Edmund Blunden EDMUND WALLER eighteenth century elaborate elegance Elegie emotion enjoy enjoyment expect eyes fancy fashion feel G. S. Fraser give H. J. C. Grierson heart Herbert of Cherbury heroic couplet humour impression ingenious Jonson Kenneth lines literary Lord Herbert love thee Lovelace's lover lyrical poetry M. C. Bradbrook Marquis of Montrose Mistress moral statement musical never occasionally once Oxford passionate Petrarchan poet's poetic portrait praise pretentious Prithee reader RICHARD LOVELACE ROBIN SKELTON Royalists sense SEVENTEENTH CENTURY simply sing SIR JOHN SUCKLING smooth song soule speaker speech strong masculine style Suckling or Carew Suckling's sweet and fair thine THOMAS CAREW Thomas Randolph thou tone verses vigour William Habington witty writes wrote young zest