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TERENCE HAWKES Introduction | 1 |
COMEDIES | 9 |
Russ McDONALD Reading The Tempest 1991 | 17 |
BRYAN LOUGHREY AND NEIL TAYLOR Ferdinand and Miranda at chess 1982 | 30 |
virtues and vices in Measure | 36 |
the bedtrick 1975 | 52 |
sequence consequence | 58 |
DAVID ORMEROD Faith and fashion in Much Ado About | 68 |
Ronald BERMAN Anarchy and order in Richard III | 241 |
TRAGEDIES | 276 |
ALBERT H TRICOMI The aesthetics of mutilation in Titus Andronicus 1974 | 287 |
the image | 295 |
the places | 302 |
observations on the critical | 322 |
verbal echoing in Macbeth 1994 | 329 |
STEPHEN ORGEL Macbeth and the antic round 1999 | 336 |
MARY ELLEN LAMB The nature of topicality in Loves Labours | 80 |
PETER HOLLAND Theseus shadows in A Midsummer Nights | 91 |
Night 1979 | 115 |
PETER Saccio Shrewd and kindly farce 1984 | 124 |
SMALLWOOD The design of Alls Well that Ends Well 1972 | 132 |
YEARLING Language theme and character in Twelfth | 147 |
BENNETT Reconstructing The Winters Tale 1994 | 155 |
HISTORIES | 171 |
JULIET DUSINBERRE King John and embarrassing women 1990 | 178 |
INGAStina EWBANK Hamlet and the power of words 1977 | 346 |
King Lear | 370 |
KENNETH MUIR Madness in King Lear 1960 | 379 |
a retrospect 190067 1968 | 395 |
Nigel ALEXANDER Thomas Rymer and Othello 1968 | 405 |
KENNETH MUIR Troilus and Cressida 1955 | 423 |
Michael Taylor The pastoral reckoning in Cymbeline 1983 | 432 |
Philippa BERRY Woman language and history in The Rape of Lucrece 1992 | 458 |
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The Cambridge Shakespeare Library: Shakespeare criticism Catherine M. S. Alexander Ingen förhandsgranskning - 2003 |
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