The Descent of the Imagination: Postromantic Culture in the Later Novels of Thomas HardyNYU Press, 1 juni 1990 - 334 sidor The Descent of the Imagination places Thomas Hardy's writing within the context of nineteenth-century fiction writing as a genre. Moore therefore regards his examination of Hardy's work as a form of archaeology as well as a genealogy of the romantic figure in fiction, from Wordsworth through Hardy. The book provides a new interpretation of Hardy's method of composition and uses new source material that will interest Hardy scholars. It offers an original view of the novelist that argues that his work, especially his later writings, were a deliberate rewriting of romanticism. |
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... Fitzpiers at Hintock” (Hardy's title in draft), the story of an adulterous aesthetic doctor. Giles's woodland tale is a critique of Wordsworthian pastoralism, while Fitzpiers's story critiques the “decadent” permutation of Shelley's ...
... Fitzpiers at Hintock” (Hardy's title in draft), the story of an adulterous aesthetic doctor. Giles's woodland tale is a critique of Wordsworthian pastoralism, while Fitzpiers's story critiques the “decadent” permutation of Shelley's ...
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... Fitzpiers's infidelities aptly depict the character of a frivolous and adulterous romanticism out to please itself as an “art for art's sake.” His demonstrated inability to correspond with anything except himself marks him as romantic ...
... Fitzpiers's infidelities aptly depict the character of a frivolous and adulterous romanticism out to please itself as an “art for art's sake.” His demonstrated inability to correspond with anything except himself marks him as romantic ...
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... Fitzpiers's rainbow-casting in Hardy's Woodlanders. By emphasizing the romantic problematic of ephemerality, the novel offers us a reading of a wide range of existential problems such as those concerned with the epistemological status ...
... Fitzpiers's rainbow-casting in Hardy's Woodlanders. By emphasizing the romantic problematic of ephemerality, the novel offers us a reading of a wide range of existential problems such as those concerned with the epistemological status ...
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The Descent of the Imagination: Postromantic Culture in the Later Novels of ... Kevin Z. Moore Begränsad förhandsgranskning - 1993 |
The Descent of the Imagination: Postromantic Culture in the Later Novels of ... Kevin Z. Moore Begränsad förhandsgranskning - 1993 |
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aesthetic Alastor Alec Alec’s allegory Angel Arabella Arnold’s Arnoldian authentic beauty becomes Björk Bramshurst Carlyle Carlyle’s character characterized Charmond Christminster Coleridge Coleridge’s consciousness constitutes critical critique d’Urberville death depicts desire divorce Dowden’s dream Dynasts effect Eliot’s Elizabeth-Jane emblem fable faith fancy fantasy Farfrae Farfrae’s fate father fiction figure Fitzpiers Fitzpiers’s forms of romanticism Giles Giles’s Goethe’s Grace Hardy Hardy’s Hardy’s novel Hellenic Henchard Hintocks idealism imagination intertextual Jude Jude the Obscure Jude’s Keats Keats’s letters Literary Notebooks Lucetta lyrical Margaret’s Marty Marty’s Mary Shelley Mayor of Casterbridge metaphor metonymical Middlemarch Milton’s narrative narrator narrator’s nature once past Pater’s Paterian poem poet poetic poetry Preface Prelude present quest reading recall redemption represents romantic culture satire scene sense Shelley Shelley’s Shelley’s Alastor Shelleyan skimmington ride South’s specular spirit sublime Sue’s Tess Tess’s texts textual Thomas Hardy Tintern Abbey tragic tree vision Wessex Weydon woodland Wordsworth’s Wordsworthian