The Descent of the Imagination: Postromantic Culture in the Later Novels of Thomas HardyNYU Press, 1 juni 1990 - 334 sidor The Descent of the Imagination places Thomas Hardy's writing within the context of nineteenth-century fiction writing as a genre. Moore therefore regards his examination of Hardy's work as a form of archaeology as well as a genealogy of the romantic figure in fiction, from Wordsworth through Hardy. The book provides a new interpretation of Hardy's method of composition and uses new source material that will interest Hardy scholars. It offers an original view of the novelist that argues that his work, especially his later writings, were a deliberate rewriting of romanticism. |
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... Jude's Christminster, as the alliteration between city names implies. Jude flees “Casterbridge” realities in order to find Christminster dreams; Henchard divorces himself from “Christminster” dreams in order to become a master of ...
... Jude's Christminster, as the alliteration between city names implies. Jude flees “Casterbridge” realities in order to find Christminster dreams; Henchard divorces himself from “Christminster” dreams in order to become a master of ...
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... Jude's vitality. In one sense, Jude stands where all romantics stand, before Wordsworth's dawn of bliss expecting a genuinely enlightened culture to soon arise. The mirage of Christminster, we note, always floats on the horizon; it ...
... Jude's vitality. In one sense, Jude stands where all romantics stand, before Wordsworth's dawn of bliss expecting a genuinely enlightened culture to soon arise. The mirage of Christminster, we note, always floats on the horizon; it ...
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... Jude's selfentrapping fanciful evasions. “Christminster” is Jude's word for his labyrinth of denial. It is the home of the “lost causes” of his joy in solitude, which is why Hardy borrows Arnold's Oxford, the home of lost causes, as the ...
... Jude's selfentrapping fanciful evasions. “Christminster” is Jude's word for his labyrinth of denial. It is the home of the “lost causes” of his joy in solitude, which is why Hardy borrows Arnold's Oxford, the home of lost causes, as the ...
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... Jude will ruin his life by reading too. Phillotson is Jude's teacherhero who inspires him to become a cultural philistine. Jude's desire for Culture with a capital “C” is his tragic flaw or, in Shelley's phrase, his “generous error ...
... Jude will ruin his life by reading too. Phillotson is Jude's teacherhero who inspires him to become a cultural philistine. Jude's desire for Culture with a capital “C” is his tragic flaw or, in Shelley's phrase, his “generous error ...
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... Jude's because radically ethereal and internal. Hardy's allegory closely follows Shelley's Alastor. His choice of the stone-cutting profession for Jude is derived from Dowden's view that “Sculpture ... presenting beauty or passion in an ...
... Jude's because radically ethereal and internal. Hardy's allegory closely follows Shelley's Alastor. His choice of the stone-cutting profession for Jude is derived from Dowden's view that “Sculpture ... presenting beauty or passion in an ...
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The Descent of the Imagination: Postromantic Culture in the Later Novels of ... Kevin Z. Moore Begränsad förhandsgranskning - 1993 |
The Descent of the Imagination: Postromantic Culture in the Later Novels of ... Kevin Z. Moore Begränsad förhandsgranskning - 1993 |
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aesthetic Alastor Alec Alec’s allegory Angel Arabella Arnold’s Arnoldian authentic beauty becomes Björk Bramshurst Carlyle Carlyle’s character characterized Charmond Christminster Coleridge Coleridge’s consciousness constitutes critical critique d’Urberville death depicts desire divorce Dowden’s dream Dynasts effect Eliot’s Elizabeth-Jane emblem fable faith fancy fantasy Farfrae Farfrae’s fate father fiction figure Fitzpiers Fitzpiers’s forms of romanticism Giles Giles’s Goethe’s Grace Hardy Hardy’s Hardy’s novel Hellenic Henchard Hintocks idealism imagination intertextual Jude Jude the Obscure Jude’s Keats Keats’s letters Literary Notebooks Lucetta lyrical Margaret’s Marty Marty’s Mary Shelley Mayor of Casterbridge metaphor metonymical Middlemarch Milton’s narrative narrator narrator’s nature once past Pater’s Paterian poem poet poetic poetry Preface Prelude present quest reading recall redemption represents romantic culture satire scene sense Shelley Shelley’s Shelley’s Alastor Shelleyan skimmington ride South’s specular spirit sublime Sue’s Tess Tess’s texts textual Thomas Hardy Tintern Abbey tragic tree vision Wessex Weydon woodland Wordsworth’s Wordsworthian