The Descent of the Imagination: Postromantic Culture in the Later Novels of Thomas HardyNYU Press, 1 juni 1990 - 334 sidor The Descent of the Imagination places Thomas Hardy's writing within the context of nineteenth-century fiction writing as a genre. Moore therefore regards his examination of Hardy's work as a form of archaeology as well as a genealogy of the romantic figure in fiction, from Wordsworth through Hardy. The book provides a new interpretation of Hardy's method of composition and uses new source material that will interest Hardy scholars. It offers an original view of the novelist that argues that his work, especially his later writings, were a deliberate rewriting of romanticism. |
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... Keats's romantic reformulation of Milton's “Dream of Adam” and with Keats's literary revolt against literary culture. Jude is the omega of the set. In this novel, Hardy presents the historic fate of Shelleyan forms of romanticism ...
... Keats's romantic reformulation of Milton's “Dream of Adam” and with Keats's literary revolt against literary culture. Jude is the omega of the set. In this novel, Hardy presents the historic fate of Shelleyan forms of romanticism ...
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... Keats, and his understanding is satirical (Millgate, Hardy, 505). Yet it is this sort of deadly satire which informs a novel which concludes by demonstrating how Giles's name is “written on water” in ways which Keats's was not ...
... Keats, and his understanding is satirical (Millgate, Hardy, 505). Yet it is this sort of deadly satire which informs a novel which concludes by demonstrating how Giles's name is “written on water” in ways which Keats's was not ...
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... Keats's Works which included Keats's letters on aesthetic concerns.11 Hardy's reading results in a narrative meditation upon Keats's “Beauty is Truth, Truth Beauty.” “Big Beauty” was one of Tess's names in manuscript, and it is the ...
... Keats's Works which included Keats's letters on aesthetic concerns.11 Hardy's reading results in a narrative meditation upon Keats's “Beauty is Truth, Truth Beauty.” “Big Beauty” was one of Tess's names in manuscript, and it is the ...
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... Keats's emblem for the vital imagination, “The Dream of Adam,” which Keats, in turn, had borrowed from Milton's Paradise Lost, Book Eight. Keats's “Dream of Adam” is, of course, his allegory for the potent creative imagination which can ...
... Keats's emblem for the vital imagination, “The Dream of Adam,” which Keats, in turn, had borrowed from Milton's Paradise Lost, Book Eight. Keats's “Dream of Adam” is, of course, his allegory for the potent creative imagination which can ...
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... Keats's “Ode to Psyche” for guidance. In effect, he inverts his own initial inversion (negates his negation) to arrive at a Keatsean moment of genuine romance. At Bramshurst Court, a “court of love” where eros can speak its mind, Hardy ...
... Keats's “Ode to Psyche” for guidance. In effect, he inverts his own initial inversion (negates his negation) to arrive at a Keatsean moment of genuine romance. At Bramshurst Court, a “court of love” where eros can speak its mind, Hardy ...
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The Descent of the Imagination: Postromantic Culture in the Later Novels of ... Kevin Z. Moore Begränsad förhandsgranskning - 1993 |
The Descent of the Imagination: Postromantic Culture in the Later Novels of ... Kevin Z. Moore Begränsad förhandsgranskning - 1993 |
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aesthetic Alastor Alec Alec’s allegory Angel Arabella Arnold’s Arnoldian authentic beauty becomes Björk Bramshurst Carlyle Carlyle’s character characterized Charmond Christminster Coleridge Coleridge’s consciousness constitutes critical critique d’Urberville death depicts desire divorce Dowden’s dream Dynasts effect Eliot’s Elizabeth-Jane emblem fable faith fancy fantasy Farfrae Farfrae’s fate father fiction figure Fitzpiers Fitzpiers’s forms of romanticism Giles Giles’s Goethe’s Grace Hardy Hardy’s Hardy’s novel Hellenic Henchard Hintocks idealism imagination intertextual Jude Jude the Obscure Jude’s Keats Keats’s letters Literary Notebooks Lucetta lyrical Margaret’s Marty Marty’s Mary Shelley Mayor of Casterbridge metaphor metonymical Middlemarch Milton’s narrative narrator narrator’s nature once past Pater’s Paterian poem poet poetic poetry Preface Prelude present quest reading recall redemption represents romantic culture satire scene sense Shelley Shelley’s Shelley’s Alastor Shelleyan skimmington ride South’s specular spirit sublime Sue’s Tess Tess’s texts textual Thomas Hardy Tintern Abbey tragic tree vision Wessex Weydon woodland Wordsworth’s Wordsworthian