The Descent of the Imagination: Postromantic Culture in the Later Novels of Thomas HardyNYU Press, 1 juni 1990 - 334 sidor The Descent of the Imagination places Thomas Hardy's writing within the context of nineteenth-century fiction writing as a genre. Moore therefore regards his examination of Hardy's work as a form of archaeology as well as a genealogy of the romantic figure in fiction, from Wordsworth through Hardy. The book provides a new interpretation of Hardy's method of composition and uses new source material that will interest Hardy scholars. It offers an original view of the novelist that argues that his work, especially his later writings, were a deliberate rewriting of romanticism. |
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... Shelley's Alastor. Just as “Wordsworth reproaches Pope for having abandoned the imaginative use of figural diction in favor of a merely decorative allegorization” (de Man, Rhetoric of Romanticism, 1), Hardy in his turn reproaches ...
... Shelley's Alastor. Just as “Wordsworth reproaches Pope for having abandoned the imaginative use of figural diction in favor of a merely decorative allegorization” (de Man, Rhetoric of Romanticism, 1), Hardy in his turn reproaches ...
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... Shelley's Alastor, a mini-epic concerned with the punishing spirit of idealistic solitude which is itself a response to Wordsworthian forms of idealism. Each novel or chapter represents a discrete reflex to a particular set of poetic ...
... Shelley's Alastor, a mini-epic concerned with the punishing spirit of idealistic solitude which is itself a response to Wordsworthian forms of idealism. Each novel or chapter represents a discrete reflex to a particular set of poetic ...
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... Shelley's reading of Wordsworth. More specifically, Jude is predicated upon Shelley's Alastor and Wordsworth's “Arabian Dream” in Book Five of The Prelude. There, Wordsworth relates his “bookish” visionary romance of an Arab-Quixote, a ...
... Shelley's reading of Wordsworth. More specifically, Jude is predicated upon Shelley's Alastor and Wordsworth's “Arabian Dream” in Book Five of The Prelude. There, Wordsworth relates his “bookish” visionary romance of an Arab-Quixote, a ...
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... Shelley. And it is to Shelley's life as well as his Alastor that Hardy turned in order to construct his fable of the “Arab phantom.” Just as Wordsworth and then Shelley gave this phantom substance by fancying “him a living man/ A gentle ...
... Shelley. And it is to Shelley's life as well as his Alastor that Hardy turned in order to construct his fable of the “Arab phantom.” Just as Wordsworth and then Shelley gave this phantom substance by fancying “him a living man/ A gentle ...
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... Shelley's Alastor. His choice of the stone-cutting profession for Jude is derived from Dowden's view that “Sculpture ... presenting beauty or passion in an immortal abstraction from all that is temporary and accidental— appealed in a ...
... Shelley's Alastor. His choice of the stone-cutting profession for Jude is derived from Dowden's view that “Sculpture ... presenting beauty or passion in an immortal abstraction from all that is temporary and accidental— appealed in a ...
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The Descent of the Imagination: Postromantic Culture in the Later Novels of ... Kevin Z. Moore Begränsad förhandsgranskning - 1993 |
The Descent of the Imagination: Postromantic Culture in the Later Novels of ... Kevin Z. Moore Begränsad förhandsgranskning - 1993 |
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aesthetic Alastor Alec Alec’s allegory Angel Arabella Arnold’s Arnoldian authentic beauty becomes Björk Bramshurst Carlyle Carlyle’s character characterized Charmond Christminster Coleridge Coleridge’s consciousness constitutes critical critique d’Urberville death depicts desire divorce Dowden’s dream Dynasts effect Eliot’s Elizabeth-Jane emblem fable faith fancy fantasy Farfrae Farfrae’s fate father fiction figure Fitzpiers Fitzpiers’s forms of romanticism Giles Giles’s Goethe’s Grace Hardy Hardy’s Hardy’s novel Hellenic Henchard Hintocks idealism imagination intertextual Jude Jude the Obscure Jude’s Keats Keats’s letters Literary Notebooks Lucetta lyrical Margaret’s Marty Marty’s Mary Shelley Mayor of Casterbridge metaphor metonymical Middlemarch Milton’s narrative narrator narrator’s nature once past Pater’s Paterian poem poet poetic poetry Preface Prelude present quest reading recall redemption represents romantic culture satire scene sense Shelley Shelley’s Shelley’s Alastor Shelleyan skimmington ride South’s specular spirit sublime Sue’s Tess Tess’s texts textual Thomas Hardy Tintern Abbey tragic tree vision Wessex Weydon woodland Wordsworth’s Wordsworthian