The Descent of the Imagination: Postromantic Culture in the Later Novels of Thomas HardyNYU Press, 1 juni 1990 - 334 sidor The Descent of the Imagination places Thomas Hardy's writing within the context of nineteenth-century fiction writing as a genre. Moore therefore regards his examination of Hardy's work as a form of archaeology as well as a genealogy of the romantic figure in fiction, from Wordsworth through Hardy. The book provides a new interpretation of Hardy's method of composition and uses new source material that will interest Hardy scholars. It offers an original view of the novelist that argues that his work, especially his later writings, were a deliberate rewriting of romanticism. |
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... authenticity might once again begin to speak its timely utterances. If the portrayal of character is a sign of a novelist's acquisition of knowledge about society and culture, then Hardy's characters signal his awareness that ...
... authenticity might once again begin to speak its timely utterances. If the portrayal of character is a sign of a novelist's acquisition of knowledge about society and culture, then Hardy's characters signal his awareness that ...
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... authentically and originally. Ironically, it is by the very narration of anxiety and insecurity that they gain a ... authenticity, is a lost mode of overcoming in Wessex. There, characters attempt to narrate themselves into coherence and ...
... authentically and originally. Ironically, it is by the very narration of anxiety and insecurity that they gain a ... authenticity, is a lost mode of overcoming in Wessex. There, characters attempt to narrate themselves into coherence and ...
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... authentic or more original than his own, as he initially imagined. All along he had been unwittingly romantic in exploring the doubtful demands and figurative desires of romanticism. The novels are then the epistemological laboratory ...
... authentic or more original than his own, as he initially imagined. All along he had been unwittingly romantic in exploring the doubtful demands and figurative desires of romanticism. The novels are then the epistemological laboratory ...
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... authenticity and claim it for himself despite the derivative character of his practice of writing novels. In the serialized ... authentic holograph of any single novel. Hardy's literary bonfires at Max Gate during the early years of the ...
... authenticity and claim it for himself despite the derivative character of his practice of writing novels. In the serialized ... authentic holograph of any single novel. Hardy's literary bonfires at Max Gate during the early years of the ...
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... Authenticity, 104-5). As a deft reworking of a ballad of a fallen maiden, Tess critiques various romantic positions in ways similar to Flaubert's novel where the story of a romantic heroine critiques the very expectancies of that form ...
... Authenticity, 104-5). As a deft reworking of a ballad of a fallen maiden, Tess critiques various romantic positions in ways similar to Flaubert's novel where the story of a romantic heroine critiques the very expectancies of that form ...
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The Descent of the Imagination: Postromantic Culture in the Later Novels of ... Kevin Z. Moore Begränsad förhandsgranskning - 1993 |
The Descent of the Imagination: Postromantic Culture in the Later Novels of ... Kevin Z. Moore Begränsad förhandsgranskning - 1993 |
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aesthetic Alastor Alec Alec’s allegory Angel Arabella Arnold’s Arnoldian authentic beauty becomes Björk Bramshurst Carlyle Carlyle’s character characterized Charmond Christminster Coleridge Coleridge’s consciousness constitutes critical critique d’Urberville death depicts desire divorce Dowden’s dream Dynasts effect Eliot’s Elizabeth-Jane emblem fable faith fancy fantasy Farfrae Farfrae’s fate father fiction figure Fitzpiers Fitzpiers’s forms of romanticism Giles Giles’s Goethe’s Grace Hardy Hardy’s Hardy’s novel Hellenic Henchard Hintocks idealism imagination intertextual Jude Jude the Obscure Jude’s Keats Keats’s letters Literary Notebooks Lucetta lyrical Margaret’s Marty Marty’s Mary Shelley Mayor of Casterbridge metaphor metonymical Middlemarch Milton’s narrative narrator narrator’s nature once past Pater’s Paterian poem poet poetic poetry Preface Prelude present quest reading recall redemption represents romantic culture satire scene sense Shelley Shelley’s Shelley’s Alastor Shelleyan skimmington ride South’s specular spirit sublime Sue’s Tess Tess’s texts textual Thomas Hardy Tintern Abbey tragic tree vision Wessex Weydon woodland Wordsworth’s Wordsworthian