The Descent of the Imagination: Postromantic Culture in the Later Novels of Thomas HardyNYU Press, 1 juni 1990 - 334 sidor The Descent of the Imagination places Thomas Hardy's writing within the context of nineteenth-century fiction writing as a genre. Moore therefore regards his examination of Hardy's work as a form of archaeology as well as a genealogy of the romantic figure in fiction, from Wordsworth through Hardy. The book provides a new interpretation of Hardy's method of composition and uses new source material that will interest Hardy scholars. It offers an original view of the novelist that argues that his work, especially his later writings, were a deliberate rewriting of romanticism. |
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... consciousness, half of which is Wordsworthian, and half Paterian, which constitutes the conflict in her existence as a returned native. Moreover, Giles's Wordsworthian “wise passiveness” and singleness of vision is not a help to him ...
... consciousness, half of which is Wordsworthian, and half Paterian, which constitutes the conflict in her existence as a returned native. Moreover, Giles's Wordsworthian “wise passiveness” and singleness of vision is not a help to him ...
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... consciousness. His death by drowning and by fever conflate the two ways which, according to Hardy, romantic poets typically die. Hardy is of course thinking of the deaths of Shelley and Keats, and his understanding is satirical ...
... consciousness. His death by drowning and by fever conflate the two ways which, according to Hardy, romantic poets typically die. Hardy is of course thinking of the deaths of Shelley and Keats, and his understanding is satirical ...
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... consciousness which cannot dispossess itself of its enchantments. The fable of his life is a “mental picaresque.” Like Blake's “Mental Traveller,” Jude is enthralled within cycles of illusion which evade, repress, or deny a history of ...
... consciousness which cannot dispossess itself of its enchantments. The fable of his life is a “mental picaresque.” Like Blake's “Mental Traveller,” Jude is enthralled within cycles of illusion which evade, repress, or deny a history of ...
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... degree to Shelley's imagination” (Hardy's Literary Notebooks, 2:69, emphasis Hardy's). As a type of sculptor, Jude's consciousness is an “immortal abstraction” removed from history, the realm of the temporary and accidental. His status.
... degree to Shelley's imagination” (Hardy's Literary Notebooks, 2:69, emphasis Hardy's). As a type of sculptor, Jude's consciousness is an “immortal abstraction” removed from history, the realm of the temporary and accidental. His status.
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... consciousness [presented in narrative]” so as “to dismantle it, to weaken it, to break it down on the spot, as we would do a lump of sugar by steeping it in water. Hence decomposition is here contrary to destruction” (Barthes on Barthes ...
... consciousness [presented in narrative]” so as “to dismantle it, to weaken it, to break it down on the spot, as we would do a lump of sugar by steeping it in water. Hence decomposition is here contrary to destruction” (Barthes on Barthes ...
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The Descent of the Imagination: Postromantic Culture in the Later Novels of ... Kevin Z. Moore Begränsad förhandsgranskning - 1993 |
The Descent of the Imagination: Postromantic Culture in the Later Novels of ... Kevin Z. Moore Begränsad förhandsgranskning - 1993 |
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aesthetic Alastor Alec Alec’s allegory Angel Arabella Arnold’s Arnoldian authentic beauty becomes Björk Bramshurst Carlyle Carlyle’s character characterized Charmond Christminster Coleridge Coleridge’s consciousness constitutes critical critique d’Urberville death depicts desire divorce Dowden’s dream Dynasts effect Eliot’s Elizabeth-Jane emblem fable faith fancy fantasy Farfrae Farfrae’s fate father fiction figure Fitzpiers Fitzpiers’s forms of romanticism Giles Giles’s Goethe’s Grace Hardy Hardy’s Hardy’s novel Hellenic Henchard Hintocks idealism imagination intertextual Jude Jude the Obscure Jude’s Keats Keats’s letters Literary Notebooks Lucetta lyrical Margaret’s Marty Marty’s Mary Shelley Mayor of Casterbridge metaphor metonymical Middlemarch Milton’s narrative narrator narrator’s nature once past Pater’s Paterian poem poet poetic poetry Preface Prelude present quest reading recall redemption represents romantic culture satire scene sense Shelley Shelley’s Shelley’s Alastor Shelleyan skimmington ride South’s specular spirit sublime Sue’s Tess Tess’s texts textual Thomas Hardy Tintern Abbey tragic tree vision Wessex Weydon woodland Wordsworth’s Wordsworthian